Architect Martin Noel designed Argentina’s pavilion, which included a movie theatre and displays focusing on Argentinean industries and products.
The Brazilian pavilion contained a coffee cultivation exhibit complete with panoramas and models illustrating the different phases of cultivation.
The Republic of Columbia constructed a pavilion designed by Seville architect Jose Granados. The pavilion included a collection of sculpture and artwork by Colombian artist Romolo Rozo,
The Mexican pavilion, designed by Manuel Amabilis, included exhibits on archeology, education, and the history of Spanish accomplishments in Mexico.
The Mudejar Pavilion was built by the architect Aníbal González as part of an extensive urban development project for the 1929 Ibero-American Exhibition.
This was the Royal Family pavilion during the Ibero-American Exhibition of 1929. Designed by Aníbal González,
Uruguay’s pavilion included displays of its industrial schools, including the Institute of Agronomy and an art gallery filled with paintings and bronze sculptures.
This neo-baroque theatre is named after the famous 16th century Spanish playwright, often called the Spanish Shakespeare, who wrote more than 1,500 plays.
This 1940s church, which is home to the most adored religious image in all of Andalucía, the 17th-century Virgen de la Esperanza (Hope) sculpture.
The Alamillo Bridge spans the Canal de Alfonso XIII in Seville, allowing access to La Cartuja,
