Ridiculous Exhibition At Carnegie

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    • #711450
      teak
      Participant

      Well . . .

      What had been promoted as the re-opening of the Carnegie Gallery was the biggest suck-in I ever got from any event in Limerick.
      And that’s saying something in a city of nonsense Belltable productions, hopeless jazz gigs and foolish church concerts.

      Basically it was a pallet of black and white shrunk-down photocopies of plans, builder’s details and photos from the work of de Blacam and Meagher, a firm of architects in Dublin.
      We are told that this pallet of paper represents an “archive” of the architects’ work and we “are invited to read and take away copies”. In this way the entire archive will be “consumed” by the public and all that is then left would be the mountings . . .

      What a load of absolute rubbish.
      Firstly, there is a website for the aforesaid architects in which anyone interested can look at their work in full colour detail and read about it in normal sized script : there’s no need to waste such a load of paper on this.
      Secondly, if this office’s work is so important, why not go on the road and give slideshow lectures, Q & A sessions and truly engage with the wider public ? (This is more in the way of what I expected when I prepared for this event.)

      On the way home from this depressing spectacle of curatorial failure I passed by Savage Smyth Architects’ offices in a basement in Barrington’s Street. Inside through the windows, I saw that they were still hard at it at nearly 8 p.m. — recession notwithstanding.
      It struck me that I’d witnessed in that evening the two extremes of architecture in Ireland : the bloated – almost mystical – pretentiousness of the “important” firms and the selfless sweat and toil of the ordinary plain one or two-man small practice.
      It took me two hours and 2 mugs of jasmine tea to recover my good spirits.
      Surely be to God, the City Gallery people can do better than this . . .

    • #817435
      Anonymous
      Inactive

      Is the building nice?

    • #817436
      Anonymous
      Inactive

      The extension is not to officially open till mid-January 2012.

      What parts I saw of it seemed okay.
      Well lit spaces, if a bit angular.

    • #817437
      Anonymous
      Inactive

      We wait with bated breath…

      Its the centerpiece of the last Venice Biennale 2010 Irish Pavilion

      From http://www.irelandatvenice.ie/documents/Aug31_e-architect.co.uk.pdf

      “The Irish pavilion at Venice, in the eighteenth century oratory of Irish monk St. Gall near
      Piazza San Marco, will address de Blacam and Meagher’s built and unbuilt portfolio of
      the last 33 years and will mark the donation of these documents to the Irish Architectural
      Archive. The exhibition will take the form of a book unbound, containing volumes of
      drawings and photographic reproductions from the archive, contemporary photography
      and readings of the works with commentaries. As both archive and reading room, the
      space will be furnished with and lit by items from the de Blacam and Meagher archive.”

      “Formed in 1976, this architectural practice has built houses and places of work,
      commerce, education and worship. In turn, the influence of de Blacam and Meagher
      has permeated the many facets of Irish life with a distinct cultural presence. The quality
      of their work has been recognised both in Ireland and Internationally, and the book
      Architects Today refers to them as “the godfathers of contemporary Irish architecture”.
      Known for their focus on making simple buildings and the employment of beautiful and
      sustainable materials, some of their best-known buildings in Ireland include Cork
      Institute of Technology, Chapel of Reconciliation at the Catholic shrine at Knock, Co.
      Mayo, the Samuel Beckett Theatre Dublin and the restoration of the Dining Hall and
      Atrium in Trinity College Dublin for the University’s 400th anniversary celebrations.”

    • #817438
      Anonymous
      Inactive

      And its its good enough for the Venice Biennale…

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