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    The taking of Christ part 4:

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    The taking of Christ part 3:

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    The taking of Christ part 2:

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    Timothy Vernon on the taking of Christ by Caravaggio:

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    From the City Journal:

    Benjamin A. Plotinsky
    The Varieties of Liberal Enthusiasm
    The Left’s political zealotry increasingly resembles religious experience.

    Cast your mind back to January 2009, when Barack Obama became the president of the United States amid much rejoicing. The hosannas—covering the inauguration was “the honor of our lifetimes,” said MSNBC anchor Chris Matthews—by then seemed unsurprising. Over the course of a long campaign, hyperbolic rhetoric had become commonplace, so much so that online wags had started calling Obama “the One”—a reference to the spate of recent science-fiction movies, especially The Matrix, that used that term to designate a messiah.

    It all seems so long ago now, as one contemplates President Obama’s plummeting approval ratings and a suddenly resurgent Republican Party. Yet it’s worth looking closely and seriously at the election-year enthusiasm of media elites and other Obamaphiles, much of which was indeed, as the wags recognized, quasi-religious. The surprising fact is that the American Left, for all its claims to being “reality-based” and secular, is often animated by the passions, motivations, and imagery that one normally associates with religion. The better we understand this religious impulse, the better we will understand liberal America’s likely trajectory in the years to come.

    The first signs of the spiritual zeal that would eventually play a significant part in Obama’s election came not from Washington or Chicago but from Hollywood. Our moviemakers are adept at measuring the zeitgeist of the nation—of its liberal half, anyway—and are a powerful force in shaping it. And for more than a decade, they’ve been churning out what critics call “black-angel” movies. These films feature a white protagonist guided to enlightenment by a black character, usually of divine or supernatural origin or, at the very least, in touch with spiritual experiences that the main character lacks. With the black angel’s help, the white hero finds salvation.

    The genre includes, to name just a few, The Legend of Bagger Vance (2000), in which Will Smith—playing a caddie who is really, the film hints, God—restores Matt Damon’s golf game and love life; Bruce Almighty (2003), in which Morgan Freeman, as God, bestows his powers on a manic Jim Carrey; and the awful What Dreams May Come (1998), in which Cuba Gooding, Jr. is a wise soul guiding Robin Williams through the afterlife. These movies have been numerous enough, David Sterritt points out in the Christian Science Monitor, to confuse TV’s buffoonish Homer Simpson: in one episode, “Homer mistook a black man in a white suit for an angelic visitor, all because (according to his embarrassed wife) he’d been seeing too many movies lately.”

    Far and away the best of the black-angel films is Frank Darabont’s The Green Mile (1999), based on a novel by Stephen King, whose knack for setting his finger on the cultural pulse has made him a multimillionaire. The basso profundo Michael Clarke Duncan plays John Coffey (note the initials), a gigantic black man wrongfully convicted of the rape and murder of two little girls in Depression-era Louisiana and sentenced to death; Tom Hanks plays Paul Edgecomb, a prison guard who discovers that Coffey is not only innocent but also a Christlike miracle worker. Coffey’s laying-on of hands restores a dead mouse to life, cures Edgecomb of a bladder infection, and heals the warden’s wife’s brain cancer. Shortly before he is executed—the jeering of the girls’ anguished parents and the weeping of the prison guards who know the truth recall the account of the Crucifixion in Luke—Coffey has this exchange with a tortured Edgecomb:

    Edgecomb. Tell me what you want me to do. You want me to take you out of here? Just let you run away? See how far you could get?

    Coffey. Why would you do such a foolish thing?

    Edgecomb. On the day of my judgment, when I stand before God, and He asks me why did I—did I kill one of His true miracles—what am I going to say? That it was my job? . . .

    Coffey. You tell God the Father it was a kindness you done. . . . I want it to be over and done with. I do. . . . I’m tired of people being ugly to each other. I’m tired of all the pain I feel and hear in the world every day.

    The writer or director of a black-angel film recognizes the unspeakable injustices once perpetrated by his country on black people; he wants to be forgiven the sins of his fathers. If he is simply a comedian, he makes Bruce Almighty, casting a black man as God in a sort of lighthearted flattery. If his waters run deeper, he understands that no plum role can atone for the crimes that weigh on him. Instinctively, he realizes what thinkers from Aristotle to Marcel Mauss have known: that whenever a gift is given, the prestige of the giver increases and that of the recipient declines. So he tells a story in which a black man gives the greatest gift of all, suffering—like Jesus in Christian theology—for others’ sins, in fact demanding to suffer, and by demanding, forgiving. White America is pardoned its wrongs, while black America, by pardoning, is elevated to godhood.

    Are these movies ultimately condescending to blacks? After all, the white protagonist, the person who will be saved or damned according to his decisions, is invariably more interesting than the serene black angel hovering nearby. Indeed, the condescension, if such it is, is a cinematic version of affirmative action—a denial to blacks of Everyman’s struggle for salvation; a magnanimous extension to them of paradise.

    And this brings us to Barack Obama’s liberal support during the campaign, which was decidedly different from the regular media bias that conservatives often complain about. “I haven’t seen a politician get this kind of walk-on-water coverage since Colin Powell a dozen years ago flirted with making a run for the White House,” said Washington Post media critic Howard Kurtz on Meet the Press in February 2007, a day after Obama announced his candidacy. “I mean, it is amazing . . . a guy with all of two years’ experience in the United States Senate getting coverage that ranges from positive to glowing to even gushing.”

    “Walk-on-water coverage” was exactly right, and though the media seldom framed their worship quite that explicitly, the exceptions were telling. Here’s San Francisco Chronicle columnist Mark Morford on June 6, 2008:

    Many spiritually advanced people I know . . . identify Obama as a Lightworker, that rare kind of attuned being who has the ability to lead us not merely to new foreign policies or health care plans or whatnot, but who can actually help usher in a new way of being on the planet, of relating and connecting and engaging with this bizarre earthly experiment. These kinds of people actually help us evolve. They are philosophers and peacemakers of a very high order, and they speak not just to reason or emotion, but to the soul.
    San Francisco, you shrug. Consider, then, what Samantha Fennell, formerly an associate publisher of Elle, wrote on the magazine’s website a month later:

    Barack Obama must be elected President of the United States. . . . I have thrown myself into a new world—one in which fluffy chatter and frivolous praise are replaced by a get-to-the-point directness and disciple-like devotion. It’s intense and intoxicating. . . . When I attended my second “Obama Live” fund-raiser last week at New York City’s Grand Hyatt, . . . I was on my feet as Senator Obama entered the room. Fate had blessed me in this moment. . . . In a moment of divine intervention, he saw me,
    . . . grabbed my hand, and gave that brilliant smile of his. I literally said out loud to the woman next to me who witnessed my good fate, “I’ll never wash this hand again.”

    Fashion writers, you say. But here is Evan Thomas, a Newsweek editor, on the show Hardball with Chris Matthews last June:

    Thomas. Reagan was all about America. He talked about it. Obama is, “We are above that now, we are not just parochial, we’re not just chauvinistic, we’re not just provincial, we stand for something.” I mean, in a way, Obama is standing above the country, above the world. He’s sort of God.

    Matthews. Yeah.

    Thomas. He’s going to bring all different sides together.

    True, Thomas wasn’t so much evincing Morford’s and Fennell’s giddy devotion as describing, perhaps too admiringly, one of the ways Obama elicited it.

    The deifications and hagiologies were particularly overt in the remarks of prominent black figures. Filmmaker Spike Lee, predicting an Obama victory, implicitly compared the candidate with Christ: “You’ll have to measure time by ‘Before Obama’ and ‘After Obama.’ . . . Everything’s going to be affected by this seismic change in the universe.” Jesse Jackson, Jr. called Obama’s securing the Democratic nomination “so extraordinary that another chapter could be added to the Bible to chronicle its significance.” Louis Farrakhan went one better, according to the website WorldNetDaily: “Barack has captured the youth. . . . That’s a sign. When the Messiah speaks, the youth will hear, and the Messiah is absolutely speaking.”

    The website ObamaMessiah.blogspot.com has diligently chronicled many more instances of such talk, which seems positively cringe-making in 2010. It seems unfair to blame Obama himself for most of it, though he surely set the tone with a brand of mystical campaign rhetoric unfamiliar to presidential politics—in this country, anyway. In February 2008, a concerned Joe Klein of Time noted: “There was something just a wee bit creepy about the mass messianism—‘We are the ones we’ve been waiting for’—of the Super Tuesday speech and the recent turn of the Obama campaign.” (The full quotation: “We are the ones we’ve been waiting for. We are the change that we seek.”) To this day, BarackObama.com displays at the top of its homepage the following words (attributed to Obama, though nobody seems to have been able to pinpoint the speech): “I’M ASKING YOU TO BELIEVE. Not just in my ability to bring about real change in Washington . . . I’m asking you to believe in yours.”

    Whether or not the Obama campaign realized it, that demand for faith was an updated echo of innumerable passages in the Gospels: “Everything is possible for him who believes”; “Whoever lives and believes in me will never die”; and so on. If the first component of the Obama creed was faith, though, the second was surely hope—the audacious hope whose name famously adorns one of the president’s two autobiographies. We need only add charity to have what Catholics call the three Theological Virtues, which Paul mentions in First Corinthians. Perhaps we should not have been surprised, then, when a day before his inauguration, Obama breathtakingly upended the meaning of Martin Luther King Day, transforming a holiday devoted to the memory of a civil rights leader—and perhaps also to such ideas as equality, tolerance, and the evils of racism—into a day of public service. “It’s not a day just to pause and reflect—it’s a day to act,” Obama announced. “Today, ordinary citizens will gather together all across the country to participate in the more than 11,000 service projects they’ve created using USAservice.org. And I ask the American people to turn today’s efforts into an ongoing commitment to enriching the lives of others in their communities, their cities, and their country.”

    An astute moviegoer could have predicted the candidate’s manner: confident but calm, eloquent but modest. Obama wasn’t a loud race-baiter like Al Sharpton; he was a deep-voiced, serious, almost sad, observer, a black angel come to forgive the iniquity of guilt-racked liberal America.

    How can we explain this sudden, brief eruption of messianic fervor into our politics? Perhaps by looking at the religious climate of the country and the world, which have been witnessing a religious revival over the past 30 years. Whether you call this phenomenon the “revenge of God,” as the French scholar Gilles Kepel does, or “resacralization,” as the sociologists do, or echo the title of the recent book by Economist editors John Micklethwait and Adrian Wooldridge, God Is Back, the evidence is hard to ignore. In the United States, as everyone knows, the Religious Right has made huge advances since the 1970s. During the same period, what Kepel calls “re-Islamization” movements have appeared in the Middle East and beyond, aiming “to propagate Islam everywhere until humanity was converted into ‘ummanity.’ ” All over the world, Christianity is growing—in particular, Pentecostalism, a denomination just a century old that, along with “related charismatic movements,” now claims a stunning 500 million adherents, the Pew Forum on Religion and Public Life reports. To make a long story short, Peter Berger and Anton Zijderfeld’s In Praise of Doubt sees just one geographical exception to a “furiously religious world”—Western and Central Europe. And even there, Kepel tells us, a “significant re-Christianization movement” has appeared in France in the form of Pentecostal Catholicism.

    In America, this revival is reflected in popular culture, too, and not just in black-angel movies. Recall the trend that the bloggers were referring to when they dubbed Obama “the One”: over the past few decades, a slew of science-fiction movies, from E.T. to the second Star Wars trilogy to Superman Returns, have drawn parts of their plots from the New Testament (see “How Science Fiction Found Religion,” Winter 2009). Or look at the recent tattoo craze, in which the most popular designs are not the working-class hearts and arrows of yesteryear but mystical, so-called tribal, patterns. During the seventies and eighties, writes Margo DeMello in Bodies of Inscription, “tattooing began, for the first time, to be connected with emerging issues like self-actualization, social and personal transformation, ecological awareness, and spiritual growth.”

    On what Matthew Arnold famously called the “sea of faith,” then, it may be that a rising tide raises all ships. If reawakened religious feeling can prompt people to inject messiahs into their movies and dyes into their skin, why shouldn’t it prompt them to vote for a black angel? Perhaps we should simply identify Obamaism as one more manifestation of a wider resurgence of spiritual enthusiasm—a manifestation that differs from the others merely in having a political component—and stop worrying about it.

    Yet the political component is of immense importance. If twentieth-century history teaches us anything, it’s that political religions spell trouble. Soviet Communism, Italian Fascism, and Nazism aren’t just called “political religions” by scholars today. In all three cases, observers at the time recognized and worried about the movements’ religious natures. Those natures were no accident; Mussolini, for instance, called his ideology “not only a faith, but a religion that is conquering the laboring masses of the Italian people.”

    One reason that observers saw the great totalitarianisms as religious was that each had its idol: Mussolini in Italy, Hitler in Germany, and Lenin in Russia, followed by Stalin. Take Grigory Zinoviev’s description of Lenin: “He is really the chosen one of millions. He is the leader by the Grace of God. He is the authentic figure of a leader such as is born once in 500 years.” Stalin’s cult of personality was far more developed and sometimes explicitly idolatrous, as in the poem that addressed the despot as “O Thou mighty one, chief of the peoples, Who callest man to life, Who awakest the earth to fruitfulness.” And in Italy, writes the historian Michael Burleigh, “intellectual sycophants and propagandists characterised [Mussolini] as a prodigy of genius in terms that would not have embarrassed Stalin: messiah, saviour, man of destiny, latterday Caesar, Napoleon, and so forth.”

    To point out these words’ uncomfortable similarity to the journalists’ praises of Obama is not to equate the throngs who bowed down to totalitarian dictators with even the most worshipful Obamaphiles. But the manner of worship is related, as perhaps it must be in any human society that chooses to adore a human being. The widespread renaming of villages, schools, and factories after Stalin, for example, finds its modern-day democratic parallel in a rash of schools that have already rechristened themselves after Obama, to say nothing of the hundreds of young sentimentalists who informally adopted the candidate’s middle name during the presidential race. Even the Obama campaign’s ubiquitous logo—the letter O framing a rising sun—would not have surprised the scholar Eric Voegelin. In The Political Religions (1938), Voegelin traced rulers who employed the image of the sun—a symbol of “the radiation of power along a hierarchy of rulers and offices that ranges from God at the top down to the subject at the bottom”—from the pharaoh Akhenaton to Louis XIV and eventually to Hitler.

    The worship of a charismatic leader was just one reason that twentieth-century intellectuals regarded the great totalitarianisms as inherently religious. Another was their immense scope, which included not just matters traditionally considered public—war, taxes, even the offices of the welfare state—but also the private lives and practices of individuals. “The totalitarian movements which have arisen since World War I are fundamentally religious movements,” wrote the political scientist Waldemar Gurian in 1952, in part because they “cannot conceive of realms of life outside and beyond their control.” Sixteen years earlier, the legal scholar Marcel Prélot had commented that “the totalitarian state, naturally extending its field of action far beyond the recognized domain of the conventional state, claims to constitute both a political entity and an ethical and spiritual community, . . . the state itself being a church.”

    Obamaism is far narrower, and far more benign, than that. But another strand of modern liberal politics encroaches so far on the private sphere that it begins to resemble the political religions. On the excellent webcast Uncommon Knowledge, Czech president Václav Klaus recently compared “two ideologies” that were “structurally very similar. They are against individual freedom. They are in favor of centralistic masterminding of our fates. They are both very similar in telling us what to do, how to live, how to behave, what to eat, how to travel, what we can do and what we cannot do.” The first of Klaus’s “two ideologies” was Communism—a system with which he was deeply familiar, having participated in the Velvet Revolution in 1989. The second was environmentalism.

    Klaus could have expanded his list. Environmentalism does indeed tell its adherents “what to eat” (pesticide-free organic food, preferably grown nearby to cut down on trucking) and “how to travel” (by public transportation or, better yet, bicycle). But it also lays down rules on nearly every aspect of life in a consumer economy: how to wash your clothes (seldom); how to wash yourself (take a shower, not a bath, and use a low-flow showerhead); how to light your house (with fluorescent bulbs); how to choose your TV (look for the Energy Star logo!); how to go to the bathroom (with high-efficiency toilets and recycled paper); how to invest, clean, sleep, and dress (in environmentally friendly companies, with nontoxic chemicals, on sheets made of “sustainable fibers,” and in clothes made of the same); and even how to procreate (Greenpeace has issued a guide to “environmentally friendly sex”).

    Think about the life that a truly conscientious environmentalist must lead! Compared with it, the devout Muslim’s five daily prayers and the pious Jew’s carefully regulated diet are a cakewalk. What the British historian Alfred Cobban wrote about totalitarianism—that it “takes the spiritual discipline of a religious order and imposes it on forty or sixty or a hundred million people”—applies perfectly to environmentalism, except for the part about imposition. And there, one might give Jonah Goldberg’s answer in Liberal Fascism: “You may trust that environmentalists have no desire to translate these voluntary suggestions into law, but I have no such confidence given the track record of similar campaigns in the past.” Recycling mandates come to mind, as does the federal law that will impose silly-looking spiral lightbulbs on us all by 2014.

    There’s also a close resemblance between the environmental and biblical views of history, as the late novelist Michael Crichton pointed out in a widely reprinted speech. “Environmentalism is in fact a perfect twenty-first-century remapping of traditional Judeo-Christian beliefs and myths,” Crichton said. “There’s an initial Eden, a paradise, a state of grace and unity with nature, there’s a fall from grace into a state of pollution as a result of eating from the tree of knowledge, and as a result of our actions there is a judgment day coming for us all.” That judgment day currently assumes the form of various global-warming disasters that will happen unless we immediately perform still more rituals. Never mind that the science so urgently instructing us to reduce carbon emissions—thus hobbling economic growth and prosperity around the world—is so young, and so poorly understood, that it can’t explain why global warming seems to have stalled over the last decade. Far more persuasive is the argument from faith: we’d better repent, because the End is nigh.

    Barack Obama doubtless tapped into environmentalists’ spiritual longings when he accepted the Democratic presidential nomination. “Generations from now,” he proclaimed, “we will be able to look back and tell our children that this was the moment when we began to provide care for the sick and good jobs to the jobless; this was the moment when the rise of the oceans began to slow and our planet began to heal; this was the moment when we ended a war and secured our nation and restored our image as the last, best hope on Earth.” Italics mine; grandiloquent prophecy his.

    Religion has long been a powerful force in American politics, of course, for good and ill. The difference with the more traditional varieties of religion was the open acknowledgment that they were religious. The First Amendment promised that they could never become established churches; generations’ worth of jurisprudence closely regulated the way they could interact with government. And when a campaigning politician acknowledged forthrightly that he derived a policy from, say, his understanding of the Bible, his potential constituents understood that, however reasonable the policy might be, what underlay it was faith, not reason. The emerging liberal religions are very different: as emotionally captivating for some, at least for a time, as Christianity or Judaism, but untrammeled by any constitutional amendment; as grounded in faith, but pretending to dwell in the realms of reason and science.

    Obama’s speedy fall from godhood since his election has been encouraging, perhaps a sign of America’s traditional reluctance to embrace a Great Leader. But it’s far too early in his administration to assume that the fall will be permanent. Radical environmentalism, moreover, will surely be around long after Obama has left the White House. And the threat of other charismatic leaders will remain as well—a troubling lesson that we can learn from no less a religious authority than the Bible. A nation that bends the knee once, as the book of Judges bleakly demonstrates, is all too likely to bend it again.

    Benjamin A. Plotinsky is managing editor of City Journal.

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    From the New Liturgical Movement:

    The Oxford Declaration:

    A NEW LITURGICAL MOVEMENT?
    by Stratford Caldecott

    A recent conference at Oxford brought together Catholics from around the world who drafted an “Oxford Declaration.”

    What does it mean?

    Readers of Inside the Vatican are well aware of the vital importance of liturgy in the life of the Catholic faithful and the growing worldwide controversy over its future reform. In June, a conference was held in Oxford, England which some believe may mark a watershed in the history of the Catholic liturgy. Organized by Stratford Caldecott, head of Oxford’s Centre for Faith and Culture (a research institute of Westminster College and publishers T&T Clark), the conference, attended by may leading liturgy scholars, including a representative from Rome, saw a broad consensus emerge, sufficient to enable a concluding statement to be issued on the last day. The statement, known as the Oxford Declaration on Liturgy, immediately began to attract the interest of the British Catholic press, with stories in The Tablet, the Catholic Times, the Catholic Herald and the Universe. The Herald commented that the Church “should realize how explosive the subject of Church liturgy is to the ordinary Catholic.” Even “loyal parishioners have their breaking point, and increasingly over the last few years there has been a groundswell of opinion despairing at the state of liturgy in this country.” The Declaration, it stated, “may be seen in future years as a watershed for English Catholicism.”

    The city of Oxford, with its famous University dating back to the beginning of the 12th century, was a remarkably appropriate location for a liturgy conference. In the wide avenue of St Giles near the centre of town, a great variety of religious houses seem to jostle for space, from the Oratorians at one end to the high Anglicans at the other, with Dominicans, Benedictines, Christian Scientists and Quakers in between. (The Jesuits and Franciscans also have well-known halls elsewhere in the city.) In the midst of them all is Pusey House, a reminder of the famous Oxford Movement that was led in the first half of the last century by John Henry Newman, before he left the Anglican Church to be received into full communion with Rome by the Passionist priest, Blessed Dominic Barberi.

    Oxford remains not merely a memorial to the Oxford Movement and its influence but a growing centre of present-day Catholicism. Blackfriars has long been a favourite haunt of Catholic intellectuals in Oxford, and its chanted liturgies with brilliant preaching retain their popularity. In recent years a new phenomenon has been added, with the Archbishop’s decision to entrust the church of St Aloysius to the Oratory of St Philip Neri (first brought to England by Newman over a century before). Now the young seem to be flocking to a new style of liturgy, celebrated with the maximum of artistic splendour and traditional ceremonial. Many are lapsed Catholics returning to the practice of their faith, disenchanted ex-Anglicans, or non-Christians discovering a heritage they did not know was theirs. Oxford is also an important centre of Catholic-Orthodox (and Catholic-Anglican) dialogue, with the presence of two Orthodox bishops. This dimension – so important to the Pope, who has called repeatedly for Christianity to “breathe with both lungs” – was present in the conference through Brother Aidan, who spoke on the Cosmic Liturgy from the perspective of an Orthodox monk and iconographer.

    Mass was celebrated each day for and by the conference participants with devotion and dignity but with important variations in form – with and without concelebration, facing towards and away from the assembly, in Latin and in English. There was a splendid celebration of the Byzantine Divine Liturgy by Catholic Archimandrite Serge Keleher in the Methodist Chapel of Westminster College. Other masses in the same chapel were sung in Gregorian chant both in Latin and in English (using the English Kyriale developed by Dr Mary Berry). Other celebrations took place at the Oratory. In this way, the participants in the Conference were able to experience something of the range of liturgical possibilities currently available in the Catholic Church, many of which are simply unknown in the average parish – one might say (and some did) effectively suppressed by the liturgical establishment.

    A New Liturgical Movement?

    Catholic congregations, in general, tend to be rather passive. There is always a silent majority who will sit through any homily, however crass, and never betray by the flicker of an eyelid what they might really think of a particular priest or liturgical innovation. They may shake hands at the Sign of Peace, but they rarely make eye-contact. Secretly, perhaps, they wish it would all go away. Partly this is due to a long tradition of respect for the clergy; partly to a tradition of suffering in patience. This passivity, however, has been taken by a generation of clerical innovators for tacit approval, or even enthusiastic support. By now, more than 30 years after the Council, it is clear that the pastoral results of many of the reforms have been disappointing. Thomas Day has poured scorn on the musical dimension of the reform process in his surprise bestseller, Why Catholics Can’t Sing (Crossroad). Mother Angelica, with her widely televised traditional liturgies, Joseph Fessio, S.J. with the Adoremus organization, and numerous scholarly critics of the banal ICEL translations of the Roman Missal, some of whom belong to the Society for Catholic Liturgy formed in 1995 by Monsignor M. Francis Mannion of Salt Lake City, have all contributed to the overcoming of this traditional passivity and the reawakening at a popular level of the Liturgical Movement originally associated with the names of Odo Casel, Louis Bouyer and Romano Guardini. Many of these concerns were addressed by former Editor of Communio James Hitchcock, in a book called Recovery of the Sacred that first appeared in 1974.

    Most of the participants in the Oxford conference, both clerical and lay, accepted that there had been an “impoverishment” of the Catholic liturgy in the wake of the Council that was not mandated by the Conciliar documents themselves. That impoverishment affected the vital aesthetic dimension of the liturgy, including the language of the vernacular translations by ICEL. In attacking the latter (while praising some of ICEL’s own proposed new alternatives), Dr Eamon Duffy was not afraid to lay the blame squarely at the feet of the bishops who had authorized the changes. “Catholics pride themselves,” he said, “on their attentiveness to tradition, but we have come to place the weight of that tradition too much in conformity to the current directives of ecclesiastical authority, too little in the costly and laborious work involved in transmitting the insight and inspiration of the past as a resource for the future.” Despite what in some ways is a healthier situation than before the Council, at least as regards the involvement of the average Catholic and access to the Scriptures, he added, the Missal of 1973 (the English translation of the 1969 Missale Romanun) “represents a massive and avoidable failure to hand on that tradition faithfully, and the Church is poorer, possibly permanently poorer, because of it.”

    What went wrong? In his assessment of the shorter prayers of the Roman Missal, where before 1973 were distilled “the essence of the Latin theological tradition in the patristic and early-medieval period,” Dr Duffy concluded as follows: “In almost all cases the distinctive theology of the prayers has been evacuated, and in many cases it has actually been subverted, and replaced by a slacker, often semi-pelagian theology, far removed from the spirit of the Roman rite, but redolent of some of the more shallowly optimistic theological currents of the late 1960s.” Neither the Liturgical Movement nor the Council were to blame, but those who carried out the reform completely misread the “signs of the times” which the Council had invoked. In the late 60s and early 70s, “Genuine theological renewal became inextricably entangled with a shallow and philistine repudiation of the past which was to have consequences as disastrous in theology as as they were in the fine arts, architecture and city planning.”

    Calling for a revival of the Liturgical Movement, Serge Keleher, himself a former student of Louis Bouyer, accused the reformers of the early 1970s of “snapping the continuity of tradition.” He pointed out that the “revolution” was profoundly clericalist – a fact pointed out, too by Thomas Day in the book referred to. Even the fashion for turning the altars around and saying Mass “facing the people” contributed to the priest becoming more and more of a “performer” dominating the center of the stage.

    Most participants agreed that the position of the celebrant in the New Mass should properly be “facing the same way as the people,” at least during those parts of the Mass when he is primarily addressing God.

    Fr Keleher claimed that the problems with the reform had their roots well before the Council in a spirit of servility, an idolization of practicality and a related preference for Low Mass (which became the model for Novus Ordo). If there is to be further progress towards the original ideals of the Liturgical Movement, he said, then lessons must be learned.

    The importance of continuity in liturgical tradition must be respected, as must that of the sacramentals, the arts, the gestures, the Marian and Eucharistic devotions, and the sense of realized eschatology – all of which contribute to the power of the liturgical celebration to permeate the whole of life with its dynamic spirit, and to combat the deadly secularism of our age.

    Legitimate pluralism must be encouraged rather than suppressed, so that the Catholic people can be exposed to the rich possibilities of Eastern rite and monastic liturgies.
    Where vernacular translations are used, they should be dignified and accurate, and formal not colloquial.

    The Limits of Pluralism

    The question of pluralism quickly became an important theme of the conference. Fr Mark Drew requested the lifting of much of the current restrictive legislation and its replacement with creative permissive legislation. Don’t fear anarchy, he said. Anarchy is what we have already. The law of the Church has been so widely disregarded that it is now in disrepute: if respect for law is to return there must be an end to the pretense that everything is under control. It was an extreme position, but an important one.

    It certainly seems to be the case that there are now many global and historical forces pushing for further change. The Catholic Church is coming to terms with the decline of Christianity in Europe and its rise in Africa, Latin America, and parts of Asia. The demand for “inculturation” (adaptation of the liturgy to radically different cultures) has become impossible to ignore. This demand is pushing the Roman authorities to a deeper reflection on what can be changed in the liturgy, and why. In 1993, Cardinal Joseph Ratzinger spoke to Asian bishops on the principles of inculturation, in an important address that was only made public in 1995. There he warned against the dangers of syncretism, spoke of the close interaction between faith and culture, and recommended “inter-culturality” as a more comprehensive term than “inculturation.” The heritage of European civilization, in which the Christian tradition has become clothed or even incarnated, cannot be simply discarded in order to graft that tradition onto another civilization. That would be to rob Christianity of its own historical force, and reduce it to “an empty collection of ideas.” One cannot become a Christian, he said, “apart from a certain exodus, a break from one’s previous life in all its aspects.” God has bound himself to history, and works through that history. Yet, at the same time, conversion “does not destroy the religions and cultures but transforms them.” It frees them from their limitations, and in so doing Catholic tradition itself develops and is enriched.

    In the same address, the Cardinal pointed out that those who call most loudly for an “inculturation” that would denude the Christian liturgical tradition of all the trappings of European civilization would never, at the same time, call for their own exclusion from “the natural science and technology which originated in the West.” Technology is no more “neutral” with respect to culture than the sacred arts, and the introduction of Western technology throughout the world is in any case eroding all the differences between ancient cultures, and creating a single global community with one life and destiny.

    We see Pope John Paul II reflecting on the same problem in his address to the Brazilian Bishops’ Conference at the end of September 1995. There he was particularly concerned to emphasize the fact that the modern Roman Rite, even without importing forms from other rites, “has a vitality in its liturgical expressions capable of taking into account the sensitivity and expressivity of various cultures, even those furthest from the area in which it arose and developed.” This does make possible, however, “a new synthesis” of the Roman Rite with the specific genius and religious experience of a given people.

    As the Pope spoke to the Brazilian bishops, he clearly had his eye also on the growing debate back in Europe and North America. He spoke about the failure of the liturgical reform so far to create any more than “the conditions and means to promote in the People of God the recovery of a deeper sense of the ‘Church at prayer’, and of the ‘prayer of the Church.” Much remains to be done: in Vatican-speak, this is a major admission. He went on, quoting important passages from the Vatican Council’s Constitution on the Sacred Liturgy: “If the liturgy does not bring the faithful to express with their life the saving mystery of Christ, God and Man, and the genuine nature of the true Church, where what is ‘human’ is ‘directed toward and subordinated to the divine, the visible to the invisible, action to contemplation, and this present world to the city yet to come, the object of our quest,’ it would not be possible to speak of the application of the ‘true and authentic spirit of the liturgy’.”

    That remark touches on the essence of the renewed Liturgical Movement. Yet within the one movement there are many differences of emphasis and approach, many of which were represented at the “Beyond the Prosaic” conference. Mgr M. Francis Mannion, in a paper that represented in a more developed form the argument he had recently presented in the pages of Inside the Vatican, outlined a “typology” of such approaches that owed something to definitions of Catholicity propounded by Avery Dulles and Henri de Lubac. Apart from the agenda of “advancing the official reform,” these divided into a range of extreme and moderate positions. The extremes were those of the arch-traditionalists on the one hand, who wish simply to “restore the preconciliar” (i.e. the Tridentine or Old Rite), and the progressives, including many feminists, on the other, who wish to “inculturate the reform.” But Mgr Mannion was concerned to show that a great number of people concerned with the liturgy do not fit into either of these polarized camps. There is an important middle ground associated with phrases such as “reforming” or “re-Catholicizing” the reform. Within this middle ground there is an intense debate about strategy and emphasis, but most moderates are prepared to accept the Missal of 1969 (preferably in a more poetic and accurate vernacular translation), and wish to move forward from there by restoring the rich vesture of Catholic devotion and liturgical arts – the spiritual, aesthetic and cosmological dimensions of the liturgy. In Mannion’s words, “If the Church’s liturgy must live more fully from the richness of Catholic history and tradition, it must also renew its eschatological vision, its doxological amplitude, and on the basis of these promote a new flowering of liturgical artistry.”

    Where does the Oxford Declaration fit on the spectrum? The consensus reflected in the Declaration supported a broad alliance between differing factions in the reform movement. The various groups have to be able to work together in charity – showing charity also towards those who would not identify with the movement at all. The form of the liturgy itself (assuming it falls within the range of valid rites of the Catholic Church) matters less than the spirit in which it is celebrated, and the attitude of the priest which conveys itself in voice and gesture. Fr Dermot Power gave a moving exposition in which he showed that the “transparency” of the priest in front of his suffering Master, mirroring Jesus’s childlike trust in his heavenly Father, is the crucial element in the liturgical and pastoral effectiveness of the Church. Certainly, by the end of the conference there was a consensus that the reform process will get nowhere – and will deserve to get nowhere – if it proceeds by way of invective, suspicion and accusation.
    As for the specific strategy to be adopted, the Liturgy Forum simply requested that no official reform (by ICEL or by Rome) be imposed in haste. Dr Kieran Flanagan (author of Sociology and Liturgy from Macmillan Publishers) had earlier made the important point that, however legitimate the criticisms that have been made of the 1973 Missal, the prospect of a continually changing Mass might only serve to alienate yet another generation from the Catholic tradition. In matters liturgical, there is a lot to be said for a period of stability, while the Church develops a well-founded consensus on the reform of the Roman Missal and the principles that should govern liturgical translation.

    The way forward is to continue the debate that is now well begun over the liturgy and its relation to culture and the principles which a reform (or continuation) of the reform must respect. But no major reform of the present Roman Missal should be finalized or put into effect while that debate remains unresolved. As a temporary measure, greater tolerance of the full range of traditional rites and uses (the liturgical equivalent of biodiversity) would take some of the pressure off the reform process, allowing it to mature in an atmosphere of prayer. Ultimately only the Holy Spirit, which inspires human genius and cannot be replaced by it, will bring about a satisfactory outcome.

    Stratford Caldecott is Director of the Centre for Faith & Culture at Westminster College, Oxford. Léonie Caldecott worked closely with him on the conference, the edited Proceedings of which will be published during 1997 by T&T Clark.

    [These proceedings have indeed been published in a book titled “Beyond the Prosaic” – SRT

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    From the Financial Times (31 July 2010):

    Tariq Ramadan’s ‘Quest for Meaning’
    Review by Karen Armstrong

    Published: July 31 2010 00:36 | Last updated: July 31 2010 00:36

    The Quest for Meaning: Developing a Philosophy of Pluralism, by Tariq Ramadan, Allen Lane RRP£25, 224 pages

    I was fully engaged with this book from the very first sentence – “This book is a journey and an initiation” – because an initiation is exactly what we need at this perilous moment in history. Like so many religious terms, the word initiation has lost much of its force in modern times. But in all the great spiritual traditions, initiation signified the creation, often painfully acquired, of a new self. Classical yoga, for example, was not an aerobic exercise but an initiation that consisted of a systematic dismantling of egotism. Those yogins who succeeded in extracting the “I” from their thinking found that, without the distorting filter of selfishness, they perceived the world quite differently.

    Tariq Ramadan, Professor of Contemporary Islamic Studies at Oxford University and author of The Quest for Meaning, is convinced that we are all experiencing a profound loss of confidence. “Fear, doubt and distrust are imperceptibly colonising our hearts and minds. And so the other becomes our negative mirror, and the other’s difference allows us to define ourselves, to ‘identify’ ourselves,” he writes. Ramadan has experienced this personally. A powerful voice for reform in the Muslim world, he is routinely vilified in the west – often by liberals who decry the absence of any such “reformation” in Islam. The suspicion and insecurity that have come to dominate our politics frequently prevents us from seeing others clearly; the “other” becomes our shadow-self: a projection of everything that we believe that we are not – or fear subliminally that we are.

    The “toleration” that was the watchword of the Enlightenment philosophers is not enough, Ramadan argues. Toleration literally means “to suffer” or “to endure” the presence of others and implies a relationship of domination; the powerful are requested “to moderate their strength and to limit their ability to do harm”. But such grudging acceptance is detrimental to both the person who tolerates and the one whose presence is merely endured. What is required is respect, based on a relationship of equality. Tolerance can “reduce the other to a mere presence” but “respect opens up to us the complexity of his being”.

    It is always a temptation to imagine that my truth is the only truth. But, Ramadan insists that there are universally shared truths that are arrived at differently in many systems of thought, secular and religious. If our choice of our own truth is at all meaningful, we must experience other truths as truthful: if our own truth is forced upon us by its uniqueness, it would lose its meaning. This perception of diversity is crucial to Hinduism, Buddhism, and the more profound forms of monotheism. The Koran, for example, endorses pluralism: “Had God so willed, he would have made you one single community.” (5.48).

    This is a prophetic, passionate and insightful book. Ramadan’s message is urgent: our very survival depends upon our ability to build a harmonious, respectful global community. We have now entered the realm of emotional politics dominated by instantaneous public reactions. In this age of global communications, we are possessed by tidal waves of global emotions that inspired the mindless violence in the Muslim world after the publication of the Danish cartoons and the tearful ritual gatherings after the death of Princess Diana. Voters are now less interested in ideas and convictions but are mobilised instead “by their fears, their need for security, reassurance, comfort and clearly defined points of reference and identities”.

    With populations kept in a constant state of alert, there is a mass feeling of victimisation, which erodes all sense of responsibility. Victims feel justified in blaming a “dangerous ‘other’ who is at once so far away, so close at hand and even among us that we no longer know who ‘we’ are”. The threat of terror is so great that ignoring human rights has become acceptable, so that surveillance, the loss of the right to privacy, summary extraditions and “civilised” torture camps are beginning to be taken for granted.

    The remedy, Ramadan is convinced, is to reshape ourselves at a profound level. Time and again, he returns to this theme. The initiations devised by the religious, philosophers and the arts enabled practitioners to transcend the narrow confines of self-regarding, fearful egotism, in which “we” become the measure of all things. We need to understand what drives us, analyse our emotional blocks, wounds and anxieties and master them. Instead of blaming the other, we need to develop the critical ability to stand back and speak out against the abuses of “our” side, taking back full responsibility for our actions. We have to reacquaint ourselves with history, realising that there is no such thing as a “pure” personal or civilisational identity and that we have all been shaped by diverse influences.

    But this, as Ramadan acknowledges, will not be easy. These days we expect instant transformation, instant makeovers, and the change wrought by conventional initiation is slow, incremental and imperceptible. We have lost the habit of inwardness and of open-hearted listening, and confuse emotion with spirituality. Ramadan is an important voice and his message could not be more relevant. But many will feel baffled by his eloquent plea for an empathy that makes room for the other in their minds and hearts: they would rather be right.

    Initiation involves far more than an intellectual acceptance of a position; it has to reach a level deeper than the cerebral, so that we lay aside habitual modes of thought, abandon self-serving certainties, and realise how little we know about one another. If we cannot work assiduously to cultivate a profound sense of the unique sacredness of every single human being, we will enter a moral void. To begin their personal initiation, perhaps, readers should meditate on some of Ramadan’s words and make them their own. They would do well to start with his dedication of the book: “To the semi-colon”, which “in a world of simplified communications and simplistic binary judgments … reconciles us with the plurality of propositions, and with the welcome nuances of the sentence and of complex realities.”

    Karen Armstrong is author of ‘The Case for God’ (Vintage)

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    Is the oddity of using the Cross for the Good Friday veneration rather than a proper processional cross coincidence or considered?

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    Opicinus de Canistris (1296-1351)

    Born in Pavia, ordained as a priest and trained in the arts of book illumination and cartography, Opicinus de Canistris served as a scribe in the Papal Curia in Avignon. In 1334, he suffered from a stroke-like illness that rendered his right arm nearly useless, but he still managed to draw. His illness, he felt, had brought him a vision from God, and thereafter he worked obsessively to develop and convey his unique understanding of the divine order through pictures. His labors yielded, among other works, a portfolio of fifty-two drawings on twenty-seven pieces of unbound parchment. Almost all of these strange and evocative works use complicated diagrammatic frames, medieval maps – both mappaemundi and portolan charts – and allegorized representations of the human figure to reveal the relationship between abstract cosmology and the human world. As a whole, they represent an extraordinary instance of drawing used in the Middle Ages as a medium of intensely personal self-expression, albeit one in service to the divine.

    Otto Georg von Simson:
    The way in which the mediaeval imagination wrought the symbols of its visions appears, more clearly perhaps than in the conventional imagery of Christian iconography, in the strange designs by which an Avignon cleric, Opicinus de Canistris, sought to represent the Christian cosmos. While he represents the universal Church as edificium templi Dei, he blends the female allegory of Ecclesia into a geometrical pattern that looks much like the ground plan of a church and helps one understand how the mediaeval mind envisaged the symbolic relation between the temple and the shape of man. Opicinus was an eccentric; his drawings can hardly claim to be works of art. They are nevertheless characteristic of the mode by which the Middle Ages created its symbols.

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    Homily of Bishop Noel Treanor, Bishop of Down and Connor, for the ordination of Right Reverend Monsignor Liam MacDaid as Bishop of Clogher – Sunday 25 July

    An extract:

    …….It is also an occasion when I and many of you, my dear friends, would wish to record our thanks to Bishop Joseph Duffy for his immense contribution to the life of the Church that is in the diocese of Clogher over thirty one years of service as bishop, spanning the closing decades of the twentieth century and the first decade of the twenty-first. His work to foster the Christian faith, ecumenical relations among the Christian Churches and communities in the decades of the Troubles, his guidance of the Clogher Historical Society, and his fostering of the arts and culture, especially religious art as exemplified in this cathedral, will occupy historians of a future generation……

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    From the City Journal

    Nicole Gelinas
    Eminent Domain as Central Planning
    Wielding creative definitions of blight, New York runs roughshod over property rights and uproots viable neighborhoods.

    Free markets are out of vogue. The unfortunate lesson that policymakers have learned over the past two years is that a big, brainy government that supposedly creates jobs is superior to irrational, faceless markets that just create catastrophic errors. So Washington has seized on the financial and economic crises to enlarge its role in managing the economy—controlling the insurance giant AIG, for example, and trying to maintain high housing prices through tax credits and “mortgage modification” programs.

    But when it comes to central economic planning, New York City and State are way ahead of the feds. Empire State politicians from both parties already believe that it’s their responsibility to replace people and businesses in allocating the economy’s resources. They’re even confident that their duty to design a perfect economy trumps their constituents’ right to hold private property. Three current cases of eminent-domain abuse in New York show how serious they are—and how much damage such government intrusiveness can wreak.

    Brooklyn’s Prospect Heights, industrial and forlorn for much of the late twentieth century, was looking better by 2003. Government was doing its proper job: crime was down, and the public-transit commute to midtown Manhattan, where many Brooklynites worked, was just 25 minutes. That meant that the private sector could do its job, too, rejuvenating the neighborhood after urban decay. Developers had bought 1920s-era factories and warehouses and converted them into condos for buyers like Daniel Goldstein, who paid $590,000 for a place in a former dry-goods warehouse in 2003. These new residents weren’t put off by the Metropolitan Transportation Authority’s railyards nearby, and they liked the hardwood floors and airy views typical of such refurbished buildings. They also settled in alongside longtime residents in little houses on quiet streets. Wealthier newcomers joined regulars at Freddy’s, a bar that predated Prohibition. Small businesses continued to employ skilled laborers in low-rise industrial buildings.

    But Prospect Heights interested another investor: developer Bruce Ratner, who thought that the area would be perfect for high-rise apartments and office towers. Ratner didn’t want to do the piecemeal work of cajoling private owners into selling their properties, however. Instead, he appealed to the central-planning instincts of New York’s political class. Use the state’s power to seize the private property around the railyards, he told Governor George Pataki, Mayor Michael Bloomberg, and Brooklyn borough president Marty Markowitz. Transfer me the property, and let me buy the railyards themselves below the market price. I’ll build my development, Atlantic Yards, around a world-class basketball arena.

    New York, in short, would give Ratner an unfair advantage, and he would return some of the profits reaped from that advantage by creating the “economic benefits” favored by the planning classes. Architecture critics loved Frank Gehry’s design for the arena. Race activist Al Sharpton loved the promise of thousands of minority jobs. The Association of Community Organizations for Reform Now (Acorn) loved the prospect of administering the more than 2,000 units of “affordable” housing planned for the development, as well as the $1.5 million in loans and grants that Ratner gave it outright. When the state held public hearings in 2006 to decide whether to approve Atlantic Yards, hundreds of supplicants, hoping for a good job or a cheap apartment, easily drowned out the voices of people like Goldstein, who wanted nothing from the government except the right to keep their homes.

    Can New York legally seize private property and transfer it to a developer purely for economic development? The Fifth Amendment to the U.S. Constitution allows the government to take property for a “public use,” long understood to mean such things as roads and railways, so long as it makes “just compensation” for them. Starting around the 1930s, a number of court cases began to broaden “public use” to include more nebulous “public purposes,” such as slum clearance. And in 2005, in Kelo v. New London, the Supreme Court decided that these “public purposes” could even include economic development. But New York’s constitution theoretically holds the state to a higher standard. In 1967, Empire State voters voted not to add a “public purpose” clause to their constitution, preferring to stick with the stricter requirement of “public use.”

    The state hasn’t let this inconvenience derail its plans for Prospect Heights, however. For seven decades, courts have let New York seize and demolish slum housing if it’s blighted—which New York State defines as “substandard” and “unsanitary.” So the Urban Development Corporation (UDC), a public entity of New York State, decided that the “public use” of Atlantic Yards would be blight removal. The city had already designated part of the neighborhood as “blighted” 40 years earlier, long before its resurgence. As for the rest, the UDC commissioned consultants—previously employed by Ratner—who soon returned the requisite blight finding.

    But wait, you say: people don’t buy half-million-dollar apartments in “substandard” or “unsanitary” neighborhoods. You’re right; that’s why the consultants had to stretch. In the 1930s, as Goldstein’s attorney, Matthew Brinckerhoff, pointed out, “substandard” and “unsanitary” meant “families and children dying from rampant fires and pestilence” in tuberculosis-ridden firetraps. In 2006, by contrast, the UDC’s consultants found “substandard” conditions in isolated graffiti, cracked sidewalks, and “underutilization”—that is, when property owners weren’t using their land to generate the social and economic benefits that the government desired.

    In New York, this creative definition of blight is the new central-planning model. Consultants have also cited “underutilization” in West Harlem, where the city’s Economic Development Corporation wants to take land from private owners and hand it to Columbia University for an expansion project. Says Norman Siegel, who represents the owners: “A private property owner has the right to determine the best productive use of his property. It’s not a right to be ceded to any government.”

    And in Queens, the Bloomberg administration is preparing a similar argument to grab swaths of Willets Point, an area adjacent to Citi Field that’s populated with auto-repair shops. The city’s recent “request for qualifications” from would-be developers drew a sharp response from the people who owned the land: “We . . . hold the most significant qualification of all: we own the properties. We are motivated to improve and use our own properties, consistent with the American free market system. We would have done so in spectacular fashion already, had the city upheld its end of the bargain by providing our neighborhood with essential services and infrastructure.” Instead, the city has done the opposite, letting streets disintegrate into ditches to bolster its blight finding. The perversity is astonishing: rather than doing its own job of maintaining public infrastructure and public safety, the government wants to do the private sector’s job—and is going about it by starving that private sector of public resources.

    Property owners have looked to the judiciary to check the overweening grasp of the legislative and executive branches. But courts can be wrong for longer than it takes to save a neighborhood. In Brooklyn, Goldstein and his neighbors have lost their lawsuits—most recently, in New York’s highest court, the court of appeals. In November, the court decided 6–1 that “all that is at issue is a reasonable difference of opinion as to whether the area in question is in fact substandard and insanitary. This is not a sufficient predicate for us to supplant [the state’s] determination.” The court essentially abdicated its duty to protect property owners from the governor and the Legislature.

    Nine days later, the West Harlem owners fared better in a lower court. The first department of the state supreme court’s appellate division found, 3–2, that the blight studies that the city and state had commissioned to justify their rapacity were “bereft of facts”—and further tainted by the fact that one blight consultant also worked for Columbia. The blight designation “is mere sophistry,” the majority concluded, “hatched to justify the employment of eminent domain.” The court further noted that “even a cursory examination of the study reveals the idiocy of considering things like unpainted block walls or loose awning supports as evidence of a blighted neighborhood. Virtually every neighborhood in the five boroughs will yield similar instances of disrepair.”

    The selective and arbitrary process that deems one neighborhood blighted while leaving a similar neighborhood alone also violates due process, the justices went on, as “one is compelled to guess what subjective factors will be employed in each claim of blight.” Another violation: the government responded poorly to property owners’ document requests under the state’s freedom of information law, hampering their right to mount a solid case. Such requests are particularly important in eminent-domain cases because New York property owners don’t enjoy the right to a trial with a discovery phase, but must go straight to appeals court—a seventies-era “reform” meant to speed up development projects.

    The Harlem owners were able to convince the lower court partly because they had commissioned their own “no-blight” study. “We said, ‘Let’s create our own record . . . as a counterweight,’ ” said Siegel. The owners also presented as evidence a government study, performed before Columbia showed interest in the land, that West Harlem was revitalizing itself. This is all very well—but property rights shouldn’t depend on owners’ creativity and resourcefulness in proving beyond all reasonable doubt that their land isn’t blighted.

    Further, the lower-court ruling is a tenuous victory. The case is proceeding to the court of appeals, and though Siegel is “cautiously optimistic” that it will rule in his clients’ favor, there’s no way to be sure. Meantime, Goldstein and fellow residents and business owners in Brooklyn have asked the court of appeals to reconsider its Atlantic Yards ruling after it rules on Harlem. But the starkly different decisions in the Harlem and Brooklyn cases, coming so close together, have pointed up the need for the Legislature and Governor David Paterson to create clear standards for the government’s power to seize property.

    An obvious step is to dispense with “underutilization” as a justification for a taking. As the court noted in the Harlem case, “the time has come to categorically reject eminent domain takings solely based on underutilization. This concept . . . transforms the purpose for blight removal from the elimination of harmful social and economic conditions . . . to a policy affirmatively requiring the ultimate commercial development of all property.”

    But the state should go even further and eliminate blight itself as a justification for property seizure. Since the sixties, when creeping blight seemed to threaten the city’s existence, New York has learned that the real remedy for “substandard” conditions is good policing and infrastructure, which create the conditions for people and companies to move to neighborhoods and improve them. As for 1930s-style “unsanitary” conditions, modern health care, infrastructure, and building codes have eliminated them. Today, the biggest risks to public health are often on government property: dangerous elevators in public housing, for instance, or the 2007 fire that killed two firefighters in the Deutsche Bank building in lower Manhattan, owned by the city and state since 9/11. Unless it needs property to build a road, a subway line, a water-treatment plant, or a similar piece of truly public infrastructure—or unless a piece of land poses a clear and present danger to the public—the state should keep its hands off people’s property.

    Eminent-domain abuse, dangerous though it is, is a symptom of a deeper problem: government officials’ belief that central planning is superior to free-market competition. That’s what New York has decided in each of its current eminent-domain cases. In Brooklyn, high-rise towers and an arena are better than a historic low-rise neighborhood; in Harlem, an elite university’s expansion project is better than continued private investment; and in Willets Point, Queens, almost anything is better than grubby body shops.

    To cure yourself of the notion that the government can do better than free markets in producing economic vitality, stroll around Atlantic Yards. You’ll walk past three-story clapboard homes nestled next to elegantly corniced row houses—the supposedly blighted residences that the state plans to demolish. You’ll see the Spalding Building, a stately sporting-goods-factory-turned-condo-building that, thanks to Ratner and his government allies, has been slated for demolition and now stands empty. You’ll peer up at Goldstein’s nearly empty apartment house, scheduled to be condemned and destroyed.

    And you’ll see how wrecking balls have already made the neighborhood gap-toothed. A vacant lot, for example, now sprawls where the historic Ward Bakery warehouse was, until recently, a candidate for private-sector reinvestment. Today, Prospect Heights finally shows what the state and city governments want everyone to see: decay. The decay, though, isn’t the work of callous markets that left the neighborhood to perish. It’s the work of a developer wielding state power to press property owners to sell their land “voluntarily.” It’s also the result of a half-decade’s worth of government-created uncertainty, which stopped genuine private investment in its tracks.

    Such uncertainty offers a crucial lesson to the rest of the nation, and not just in the area of eminent domain. Whenever government fails to confine itself to a limited role in the economy, it creates similar uncertainty. Even when the results aren’t as poignantly obvious as they are in Brooklyn, the private economy suffers—whether it’s financial or auto bailouts unfairly benefiting some firms at the expense of others, or mortgage bailouts unfairly benefiting some home buyers at the expense of others. Free markets may be imperfect, but they’re far better than the alternative—the blight of arbitrary government control and the uncertainty that it creates.

    Research for this article was supported by the Brunie Fund for New York Journalism.

    Nicole Gelinas, a City Journal contributing editor and the Searle Freedom Trust Fellow at the Manhattan Institute, is a Chartered Financial Analyst and the author of After the Fall.

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    New exhibition showcases the story of St Mel’s CathedralPremium Article !

    « Previous « PreviousNext » Next »View GalleryADVERTISEMENTPublished Date: 30 June 2010
    By Ailbhe Gillespie
    An exhibition showcasing the story of St Mel’s Cathedral is on display in the Co Longford Library for the next month.
    The event, which was officially opened by Bishop Colm O’Reilly in recent weeks, explores the history of the cathedral and reflects on the tragic fire last Christmas Day through photographs, paintings, books, letters and newspaper articles.

    According to the Co Longford Librarian Mary Carlton Reynolds: “The exhibition includes an overview of the history of St Mel’s and its treasures; the aftermath of the fire and future plans; and writings by local people, children and adults, reflecting on what the cathedral means to them. There is also an interesting selection of books, archives and artefacts on display.”

    She added, “Over the years, St Mel’s Cathedral has had a central part in community life in Longford town, the county and the diocese. In the weeks and months after the fire, many people from Longford, and with Longford connections, expressed their sorrow in letters and poems, some of which feature in the exhibition.

    “On the opening night, there was a performance by pupils from St Joseph’s National School. While the exhibition looks back at the remarkable history of St Mel’s, it also anticipates the repair work soon to begin.”

    Three local artists/photographers; Tiernan Dolan, Tommy Reynolds and Pat Hourican have also donated photographs and a painting which are for sale in the library and all proceeds will go towards the Cathedral Restoration Fund.

    Local graphic designer Edel Fallon of Bottlegreendesign created several colourful banners to guide you through the exhibition. It is intended that the exhibition will travel to other venues in the county and the diocese later in the year.

    The exhibition will run until the end of July. There will alos be open mornings from 10am to 12pm, on three successive Wednesdays (June 30, July 7 and July 14) with a guided tour by Diocesan Archivist, Fr Tom Murray, Heritage Officer, Mairead Ní Chonghaile and County Archivist, Martin Morris.

    To book your place on one of the tours or for further information contact 043-33 41124.

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    Yale University press has just released this book on irish Sculpture which looks to particularily significant:

    Paula Murphy, the leading expert on Irish sculpture, offers an extensive survey of the history of sculpture in Ireland in the nineteenth century, with particular emphasis on the large public works produced during the Victorian period. The works of such major figures as Patrick MacDowell, John Henry Foley, Thomas Kirk and Thomas Farrell are discussed – as well as works by a host of lesser-known sculptors. Lavishly illustrated, the book covers the work of many Irish sculptors who worked abroad, particularly in London, and the work of English sculptors, including John Flaxman, Francis Chantrey, E. H. Baily, and Richard Westmacott, who worked in Ireland. Murphy makes extensive use of contemporary documentation, much of it from newspapers, to present the sculptors and their work in the religious and political context of their time.

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    Raphael in the Sistine Chapel – A Unique Exhibition in London
    by Gregory DiPippo

    On the occasion of the Holy Father’s visit to England in September, the Vatican Museums and the Victoria and Albert Museum of London have put together what promises to be one of the most interesting artistic exhibitions in recent memory. Four tapestries designed by Raphael for use in the Sistine Chapel will be loaned to the V&A, and displayed alongside the original preparatory cartoons which were used to make them. The four tapestries are part of a larger series of ten, which are kept nowadays in the Painting Gallery of the Vatican Museums, in a room specially dedicated to the works of Raphael. The preparatory cartoons have been the property of the royal family of England since 1623, when they were acquired by the Prince of Wales, shortly before his accession to the throne as King Charles I; they have been on permanent loan to the V&A since 1865.

    Raphael’s cartoon of The Miraculous Draught of Fishes, from the Victoria and Albert Museums.

    On Wednesday, July 14, at a press conference given in the Sala Regia, (the room immediately behind the Sistine Chapel), Dr. Antonio Paolucci, director of the Vatican Museums, along with his colleagues, Drs. Arnold Nesselrath and Anna Maria de Strobel, gave the formal presentation of the upcoming exhibition, along with an explanation of the history of these famous tapestries. Afterwards, those who were in attendance were given the unique opportunity to see several of the tapestries hung in the space they for which they were first created. The last time they were placed on display in the Sistine was in 1983, as part of the celebrations of the 500th anniversary of Raphael’s birth.

    Lucky admirers of Raphael see his tapestries in the Sistine Chapel for the first time in almost 30 years. Pictured is the tapestry of the Healing of the Lame Man at the Beautiful Gate (Acts 3).

    The full-sized preparatory designs on heavy paper, called “cartoni – large papers” in Italian, (whence the English “cartoon”), were produced by Raphael for Pope Leo X, in the years 1515 and 1516. A young and prodigiously talented artist from Urbino, only 32 at that point, Raphael had already been in Rome for a number of years. Under the previous Pope, Julius II, (whose grand projects included the rebuilding of Saint Peter’s Basilica), he was one of several famous painters hired to decorate a new set of Papal apartments in the Apostolic Palace. Julius was so pleased with what he saw in the beginning of Raphael’s work that he fired all of the other of the painters, and engaged him to do the entire project on his own. While Raphael was still working on the second of four rooms, however, Julius died in February of 1513, barely four months after Michelangelo had completed the re-decoration of the Sistine Chapel’s vaulted ceiling.
    His successor, Card. Giovanni de’ Medici, elected at the age of only 37, and the
    last non-priest to be elected Pope, was a member of the famous family who had de facto ruled over Florence for much of the Renaissance. His father Lorenzo is usually referred to as “the Magnificent”, for the arts and the sciences flourished amazingly in Florence during his lifetime, due in no small degree to his patronage. As Pope Leo X, his son continued the traditions of his family and his papal predecessors in spectacular generosity to the arts, along with very considerable charitable works. While painters, poets and sculptors flocked to Rome, Raphael was appointed “Conserver of the Roman Antiquities”, a sort of superintendent of Pontifical works; under the Leo’s patronage, he ran a combination workshop-and-school, with literally dozens of artists to assist him on countless commissions for the Pope and others.
    Raphael knew full well that his tapestries, although movable, and therefore capable of being shown anywhere, would most frequently be seen in the Sistine Chapel, the religious center of the Papal court. This meant that they would also be displayed next to some of the finest frescoes of the Italian Renaissance, not only those on the ceiling, finished just 3 years before by Michelangelo, but also a whole series of elaborate panels, executed on the walls of the chapel more than 30 years earlier, by some of the best painters of the later fifteenth-century.

    Part of the right wall of the Sistine Chapel. From the bottom: painted draperies in silver and gold, with the crest of Pope Sixtus IV; two scenes from the Life of Christ, left side by Perugino and Signorelli, right side by Cosimo Rosselli; four sainted Popes. At the top, a few of the hundreds of figures added by Michelangelo to the upper part of the chapel between 1508 and 1512. Raphael’s tapestries were made to cover the bottom stages.

    Many artists would balk at such an intimidating prospect, but not Raphael. In an age in which imitation was considered the very essence of art, which is to say, the imitation of the classical past, no-one had a keener eye for seeing what was good about the styles of other artists, taking it into his own, and improving upon it. The tapestries show his complete mastery of the figures of his teacher Perugino, for example, one of the original painters of the Sistine; other images are clearly based on the newer style of Michelangelo. A colleague pointed out to me, as we discussed the position of the tapestries and their relationship to the paintings above them, that they are indeed so absorbing that Raphael is effectively keeping the viewer’s eyes away from his rival’s famous ceiling.

    The finished tapestry, displayed in the Sistine Chapel. In the process of transfer from cartoon to tapestry, the image is reversed. Other changes can also be made, as with the color of some of the garments.

    St. Paul delivered from the prison at Philippi by an earthquake, (Acts 16), here represented as a large human figure. The tapestry is made to fill the wall-space between the cantors’ balcony and the marble screen which divides the chapel into two parts

    The muscular figure of the earthquake owes much to the powerful, sculptural style of Michelangelo’s paintings.

    The original plan called for a total of sixteen tapestries, with eight scenes each from the life of Saint Peter and that of Saint Paul. Once the preparatory cartoons were ready, they were sent to Brussels, to be woven into tapestries in the workshop of Peter van Aelst, known at the time as one of the finest such workshops in Europe. The first seven were delivered in 1519, and Pope Leo was so extraordinarily pleased with them that he decided to display the set, though less than half completed, in the Sistine for the Mass of St. Stephen’s day. In his diary, the Master of Papal Ceremonies, Paride de Grassis, notes the universal admiration, and indeed astonishment, with which they were received. De Grassis himself says that while the motto of the Papal Chapel at the Lateran, the Sancta Sanctorum, was “Non est in toto sanctior orbe locus – there is no holier place in all the world,” that of the Sistine was now “Non est aliquod in orbe nunc pulcherius – Now there is nothing in the world more beautiful.”

    Three more tapestries were completed and sent to Rome within two years, but, with the premature deaths of both Raphael in 1520, and of Leo X the following year, the project came to a halt, and the remaining six were never finished. It should be remembered that although the frescos of Raphael and Michelangelo are now the main attraction at the Vatican Museums, in their time, and long after, tapestry was in some ways a more prestigious medium, and in every way, vastly more expensive. Between the monies paid to Raphael for the design, and the cost of the actual weaving, Leo X paid greater than five times as much for the completed tapestries as Julius II had paid Michelangelo for the whole painting of the Sistine ceiling.

    The cartoons remained in Brussels, and enjoyed as great a fortune as the tapestries in Rome; they were studied and imitated by many artists, among them Albrecht Dürer, while new sets of tapestries from the same designs were later executed for several courts, including those of England, Spain, and the duchy of Mantua. Eventually, they were bought by the Prince of Wales, the future Charles I, and yet another set executed; the Victoria and Albert show will also include a version of The Miraculous Draught of Fishes woven at the tapestry-works at Mortlake. For those who are traveling to London, the show at the Victoria and Albert will provide a unique opportunity to see one of the greatest artists to ever work in Rome, in his one of his finest moments; even Raphael himself never saw both the cartoons and the finished tapestries together.

    The Raphael tapestries, the preparatory designs, and related items will be displayed at the Victoria and Albert Museum in London from September 8 to October 17 of this year. Admission to the V&A is free.

    On Friday, September 17th, the London Oratory and the V&A will present a private viewing of the Raphael show, together with a concert in the Oratory of sacred music from the Roman school, performed by the Choir of the London Oratory, directed by Patrick Russill, with organist John McGreal.

    The concert will be at 7.00pm, and the private viewings will be 5.30pm-6.45pm and 8.30pm-9.45pm. Tickets (unreserved) are £18 (concert and viewing) and £15 (concert only), available only through the V&A Bookings Office.

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    @apelles wrote:

    Wow. . Is Richard Hurley really getting into restoration? Did he actually reinstate the marble altar here?. . .Wonders will never cease!

    The finished project looks fantastic BTW Richard if your reading. . Excellent work. . .Now lets hope you use the same approach in Carrick on Shannon.

    http://www.cbsconservation.co.uk/gallery.html

    St. Patrick’s College, Maynooth, Co. Kildare, Ireland.

    • Research and design; specification and schedule of work
    • Dismantle, rebuild and clean solid stone roofs
    • Remove paint and clean internal decorative stone and mortar repair
    • External lime render and internal lime plaster to vaulted ceilings
    • New stencilled and gilded decorative finishes to walls and ceilings to match existing
    • Dismantle, relocate and rebuild marble altar
    • Clean oil on canvass wall paintings and applied decoration
    • Remove varnish, clean, repair and finish marble and alabaster High Altar, rerodos and sculpture

    Total Value:

    Praxiteles
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    This is the Lady Chapel whose altar was dislocated by the former president Michael Ledwith so that a number of American dononrs could see him as he proceeded to present them with the “medal” of St Patrick.

    Praxiteles
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    Bourges Cathedral:

    Praxiteles
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    Bourges Cathedral:

    Praxiteles
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    Bourges Cathedral:

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