johnglas

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Viewing 20 posts - 101 through 120 (of 361 total)
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  • in reply to: The scaffolding dissappears… #751697
    johnglas
    Participant

    tommyt: thanks for making the points; you’ve seen and experienced it and I haven’t. It was the use for ‘chamber’ performances I had in mind, but as an element in townscape it’s great that it has been restored so well.

    in reply to: Building on Sean McDermott St. #778342
    johnglas
    Participant

    An appropriate inscription over that convent arch could only be: Arbeit macht frei.

    in reply to: ESB Headquarters Fitzwilliam Street #775396
    johnglas
    Participant

    I’m with paulC here; paint it vermilion until it’s replaced or at least refaced. Actually, the whole building is a metaphor for the ESB – absolutely no sense of place or townscape whatsoever; the number of major Irish towns blighted by the ugliest transmission poles in Western Europe constantly amazes me. What has the ESB been doing for the last 15 years?

    in reply to: belfast skyline #767184
    johnglas
    Participant

    maxwiggan: I come from Glasgow – you don’t need to tell me!

    in reply to: belfast skyline #767182
    johnglas
    Participant

    God, the 70s and 80s were even more brutal in Belfast than I thought! Not brutalist, just brutal.

    in reply to: National Concert Hall #718552
    johnglas
    Participant

    Has Iveagh Gardens found a role – as a national sculpture park? Brilliant use for it and it’s good to see a representational interpretation of McCormack (whom I’ve never liked; far too folksy and with terrible sound recordings). Agreed that we are not in a ‘good’ period for sculpture (but a lot better than Tonehenge, notjim), although some of the more recent generic/group efforts are better than individual subjects (I can imagine what a horror the sculpture of that ‘acid-tongued bitch’ (to quote Edward VIII), the so-called Queen Mother, is).
    If the NCH ever is extended, the wall between it and IG should be demolished and the whole regarded as part of an extended campus.
    GregF: to pick up your point about the baroque: why did they not stick an over-the-top baroque bust of Handel over the so-called Handel Arch on Fishamble St? What a gesture that would be!
    If you want to see a good contemporary sculptor working in the grand monumental style, have a look at the work of Alexander Stoddart.

    in reply to: reorganisation and destruction of irish catholic churches #772637
    johnglas
    Participant

    Indeed; the Drumaroad exercise is fascinating. There are a few solecisms (as it were), but the use of a warm wood for the sanctuary fittings (in a refined, as opposed to primitive way) seems singularly appropriate for a country church. There has since Victorian times (if I can call them that) been too much of an obsession with stone and marble, which can seem both cold and too grand in an otherwise modest setting. So, top marks to Drumaroad (the pp should get a mention, as well as the architect).
    The ‘predella’ supporting the tabernacle I like very much, and a modest set of wooden altar-rails would set it all off rather nicely. But that would be to carp.

    in reply to: reorganisation and destruction of irish catholic churches #772635
    johnglas
    Participant

    Fearg: thanks for those pics of the poor chapel at Drumaroad (I’ve only just seen them) – an outbreak of good taste (relatively) and a resumption of normal service, more or less. It is now an attractive small country church, as it should be; some colour at the sanctuary wall to provide more of a focus and the previous wreckovation would be but a bitter memory…

    Prax: that was a fascinating article on castlederg and the reversion to the earlier church (Raheny in Dublin to copy?), but I couldn’t quite get the point Quinn was making if he can produce an abomination like Drumaroad. Is he now prepared, chameleon-like, to adopt the re-reform?

    in reply to: The scaffolding dissappears… #751694
    johnglas
    Participant

    It’s hard being churlish about this and at least the externals are preserved, but is its conversion to ‘offices’ – however skilfully done – does still seem a loss of a valuable ‘public’ space. I do remember once having heard the bells ring out over North Dublin, but I suppose the Northside’s loss is Dundrum’s gain. What a home for small-scale music performances this would have made; I think there was such a proposal once, but the main objection was that Southside nobs would not park their Volvos in such an area. (!)

    in reply to: Irish say no to PVC windows #745029
    johnglas
    Participant

    Eagle-eyes, cobalt; it’s obvious when it’s pointed out!

    in reply to: Stop this nonsense! #777457
    johnglas
    Participant

    Whatever the (de)merits of this crude addition, the original building shows a great sensitivity to Georgian form and proportion, while being unmistakably ‘modern(e)’. Isn’t that the real lesson for the architectural profession? That and banning CAD.
    (It also looks as though they’ve cleaned half the brickwork and left the other half! I think we need to know who’s responsible!)

    in reply to: New Court Complex – Infirmary Rd #756874
    johnglas
    Participant

    … apart from: how did it get planning permission in such a prominent location?

    johnglas
    Participant

    prax: erudition in your reply, as usual, BUT the illustration of S. Clemente illustrates my point perfectly – the choir (schola) is distinct from the altar area, but the cathedra-presbyterium (sic) is as I described it. Not all the occupants of the presbytery will have been directly involved in the ceremonial, nor can the practices of the medieval church absolutely dictate how things should be done today.
    My point was that, in a cathedral, there should be some indicator that it is more than a mere (!) parish church; ‘choirs’ such as that in S.Clemente or in Spanish cathedrals are now largely redundant because the Catholic church has given up any pretence that a choir (a group of singers) has any meaningful function. Equally, has the cathedral chapter or clergy of a diocese no public function at major liturgical occasions? The cathedral at B.dereen may have no chapter and I am not advocating crowding-out the sanctuary, but there is nothing about this building that says ‘out of the ordinary’ apart from the bishop’s chair stuck against one of the pillars at the entrance to the choir. And how can this ‘public function’ be demonstrated architecturally?
    pandaz7’s point about sticking too closely to the rubrics is a fair one; ancient practice should illuminate but not dictate to current practice (which is light-years away from agreeing with much of the wreckovation proposed for too many historic churches).

    johnglas
    Participant

    prax: the historic arrangement of the choir (i.e. the sanctuary) does suggest some sort of ‘gathering’ of clergy (not just ministers) ‘around’ the bishop; in most cathedrals, a linear arrangement has developed, but in older churches (e.g. St John Lateran) the cathedra is in the apse and the canons and other clergy are arranged on either side. In some churches (e.g. S Clemente), the railed-in enclosure is even more obvious. So, some precedent.
    apelles:yes, it just looks silly. I’m aware you can never judge a building purely from photographs, especially the state of the decoration.

    johnglas
    Participant

    Those plans for Ballaghadereen are saved only because the articulation of the sanctuary and the lateral chapels is so dictated by the architecture that it is impossible to ‘open them out’ as seems to be the current fashion. At present, the cathedral looks like a very dull late 19thC church (from the photographs), so a ‘refurbishment’ is not unjustified. The new movable (?) altar arrangement is pedestrian and, apart from the cathedra, nothing else says anything that this is other than a bigger parish church. There is no space for the chapter (if there is one), nor for any sense of the diocesan clergy gathering ’round’ the bishop on special liturgical occasions; as usual, an opportunity missed.

    in reply to: Clancy Barracks #720221
    johnglas
    Participant

    Would be good to see how they have integrated the new developments with the existing buildings (or not). Shame this is about to come on-stream at the worst possible time.

    in reply to: reorganisation and destruction of irish catholic churches #772530
    johnglas
    Participant

    For what it’s worth, Prax, just to row in with my endorsement of the above – if others want to prevent the thread becoming a monopoly – contribute!

    in reply to: Building on Sean McDermott St. #778340
    johnglas
    Participant

    pulp: it’s an interesting idea, but it needs to be pursued very vigorously so people will take notice. A denser but human scale of inner-city development, totally dumping Corbusian principles (these have had a long-enough run-out, with disastrous consequences) is the Holy Grail of development.

    in reply to: Shopfront race to the bottom #776117
    johnglas
    Participant

    That Spar is shocking, but I’m intrigued by the Lion Rampant above and the cluster of thistles surrounding it. Any knowledge of the Scottish connection?

    in reply to: Building on Sean McDermott St. #778337
    johnglas
    Participant

    pulp: I’m very much on your side, but except in very restricted circumstances I’m not a fan of ‘quality mock Georgian’ or any kind of ‘mock’ anything. That’s going down the wrong road, but building something based on ‘Georgian’ principles in terms of scale, proportion, quality of materials, relationship to context, etc. is an altogether different thing.
    A good example of how not to do it is Grand Canal Square, which is capricious beyond words, but ‘works’ because of its context; located in the Georgian core it would simply be too naff and ill-mannered. A better example is the ‘Queen Anne’ development of flats on Marlborough Street built in the early 1990s; it’s not great architecture but it doesn’t insult the street either.

Viewing 20 posts - 101 through 120 (of 361 total)