gunter

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  • in reply to: the work of J.J. McCarthy #775207
    gunter
    Participant

    I’m mixing up my J.J.s amn’t I :rolleyes:

    on reflection, this would never have happened J.J. McCarthy
    . . . should have known better

    in reply to: the work of J.J. McCarthy #775206
    gunter
    Participant

    A J.J. McCarthy church in Newfoundland ! . . . . . as if he didn’t have enough work here.

    It’s refreshing to find out that it didn’t always go his way

    . . . . the handwritten note says:

    ”J.J. O’Callaghan’s design for the high altar, St. Audoen’s Church, Dublin, accepted by committee and afterwards thrown overboard by the P. P. ! ! !


    πŸ™‚

    in reply to: reorganisation and destruction of irish catholic churches #773276
    gunter
    Participant

    Interesting observation on Cologne Cathedral.

    The extraordinary amount of structure that went into making these fantastic soaring gothic interiors appear so effortless on the inside.

    It’s also relevant to the discussion that about 3/4 of Cologne Cathedral date to exactly the same period as Cobh Cathedral and, if I’m not mistaken, the masses to celebtate the official opening of each church were just months apart in 1879/80.

    Here are some images lifted from various publications that document the completion of Cologne Cathedral


    Original architect’s drawing of the facade dating to about 1310


    a painting of 1798 and a modern model showing the state construction had reached after work stopped around 1560


    a painting of the ceremony held at the resumption of work on the construction in 1842, showing the south tower with it’s iconic medieval crane still in place



    a sequence of prints and later photographs showing the progress of the construction.

    CologneMike will probably have more detailed information πŸ™‚

    in reply to: How well do you know Dublin? #766640
    gunter
    Participant

    . . . . we just have to follow proper proceedures photopoll, or the whole system breaks down πŸ˜‰

    having said that, is the last one [Z] the Gilbert Library on pearse St. ?

    Is this one Walton’s music store on South Great Georges St.?

    in reply to: How well do you know Dublin? #766636
    gunter
    Participant

    Hold on a minute there photopol, we don’t know what these are yet

    I know the Victorian brick gable, but I can’t think of the name of the building, . . . . or where it is

    doesn’t count as a answer I don’t suppose :confused:

    in reply to: reorganisation and destruction of irish catholic churches #773273
    gunter
    Participant

    It’s interesting that the more we attempt to regulate conservation, the less good we seem to be at it.

    In the past, the repair and conservation of buildings of the scale of Cobh Cathedral was entrusted to the hands of a dedicated workshop, a small band of craftsmen with masonry, carpentry and roofing skills, who were based on-site and who were permanently employed on a building that they each knew intimately.

    The last time I saw anything remotely like this was as a kid watching the slow methodical restoration of the facade of Bank of Ireland, College Green. From memory, what appeared to have happened here is that some enlightened accountant type in the bank took on two or three experienced stone masons, organized a supply of Portland stone and a few sticks of scaffolding and let them loose in Foster’s Place. After much tapping and chiselling and several years later, the little motley crew had reached Westmoreland Street and the job was done. I have a recollection that the cost was published some time later and it was a shockingly small figure, even for those days.

    Now we operate a different system. We’ve stopped seeing conservation as an on-going process, part of the life-story of the building, now we want to see conservation as a defined action that we can ring-fence, package, get done and walk away from.

    Sometimes there may be no alternative to this approach, but think of the resources that must be diverted away from actually conserving the building and into the preparation of planning application submissions, statutory notices, method statements, risk assessment analysis and health and safety plans, just to let a bunch of contractors loose on a building that they probably have never seen before, have no inherent understanding of, or perhaps even empathy for.

    I don’t think this is just a matter of competence, I think it’s a matter of looking again at the whole approach we take to the conservation of great buildings, like Cobh Cathedral.

    in reply to: reorganisation and destruction of irish catholic churches #773268
    gunter
    Participant

    @Praxiteles wrote:

    The Pope . . . . on Europe’s Cathedrals

    ”Dear brothers and sisters, I now wish to underline two elements of Romanesque and Gothic art, which are also useful for us.

    The first: the works of art born in Europe in past centuries are incomprehensible if one does not take into account the religious soul that inspired them”.

    Nobody can deny that there was an extraordinary explosion in church building in the middle ages and the development of Romanesque, and more particularly Gothic, architecture was driven by the church,


    a medieval painting depicting a bungalow-blight scale frenzy of church building

    . . . . . but I’m not sure if we can conclude from this that Romanesque and Gothic art and architecture are ‘incomprehensible’ without taking the religious soul that inspired them into account.

    There was a secular branch to the medieval building industry and the art, architecture and craftsmanship evident in this branch was often of equal standard to that invested in the ecclesiastical branch.


    the famous Cloth Hall in Ypres, prior to distruction in the first world war.

    What do you believe Praxiteles? Is this art and architecture incomprehensible without taking the religious soul that inspired them into account?

    in reply to: Parnell Square redevelopment #751194
    gunter
    Participant

    @GrahamH wrote:

    16/11/2009
    Also a beautiful narrow house here with roof profile intact and
    Wyatt windows, one of the very last of its kind in the city.

    You’re building up quite a collection of these slim, bordering on skinny, elegant beauties there Graham.;)

    I remember when this one had a superb simple shopfront to go with it’s beatifully graduated Wyatt windows and then one day it was gone, replaced by a sheet of ply, and I have no picture of it.

    As Graham says, these three houses [nos. 76, 77 + 78] offer a virtual glossary of Dublin Georgian in a single tableau, 10m from the corner of O’Connell Street . . . . . or could if they were carefully conserved.

    The next four houses in the terrace are perhaps marginally less interesting, in that they have less variation, but again I would totally agree with Graham that a city sponsored programme of facade conservation would do wonders for the streetscape, the public realm, and perhaps give the whole north end of the O’Connell Street zone a much needed lift.

    in reply to: Dorset St (Upper) #715908
    gunter
    Participant

    A plaque on both your houses! . . . . one plaque might not be enough.

    According to this 1994 Abbey Theatre programme for ‘The Plough and the Stars’ (mentioned elsewhere), not only Brinsley Sheridan, but SeÑn O’Casey too, was born in this house!! The floorboards must have been creaking with dodgy playwrights πŸ™‚

    Wait till Goldhawk gets hold of this πŸ™‚

    in reply to: reorganisation and destruction of irish catholic churches #773201
    gunter
    Participant

    I meant to post these shots of Bruchsal earlier when you were dealing with great baroque and rococo altars and pulpits, but, in typical gunter fashion, I couldn’t find them.

    I think the altar at Bruchsal is by Balthsar Neumann who used this combination of gilded capitals and black marble in the Schonbornkapelle in Wurzburg, pictures and drawings of which I can’t find at the moment.

    This is a sketch of the outside of another of Neumann’s Wurzburg churches, the Kappele which is perched on a hillside over-looking the river and the city.

    This stuff is virtually impossible to draw, how they built it, God only knows.

    in reply to: O’ Connell Street, Dublin #731484
    gunter
    Participant

    @GrahamH wrote:

    . . . . . the publishing period would also be quite small, ranging from c. 1845 to 1860, as we know the alterations were in place through late 1860s photographs. . . .

    Just checked Shaw’s Directory and it appears that the rebuilt version was in place by 1850, which narrows the alteration down now to just about five years, c. 1845 – 1850.

    The five bay structure (nos. 68 & 69) is shown here on the left with the evenly spaced fenestration and the heavy first floor window mouldings of the later version.

    in reply to: O’ Connell Street, Dublin #731482
    gunter
    Participant

    @GrahamH wrote:

    What I find interesting is that the effort was made to reface the entire facade in brick, rather than just shift the odd ope, build up the parapet and smother the whole lot in Victorian icing.

    In some ways it almost looks like an insurance job!

    The rebuilding is virtually like-for-like, but with the windows now, almost unconsciously, spaced equally, and the roof now pitched at the prevailing lower angle, but otherwise no significant change at all and certainly no real ambition to take advantage of what would have been an exceptionally high profile commercial location. It all looks like as if some fire insurace company inspector was standing over it with a clipboard making sure that no expenditure on ‘enhancement’ was slipping through.

    I wonder if we checked the newspapers for the years between Peter walsh’s photograph (1850?) and say 1880, would we find a report that a fire took down the corner of Henry St. and O’Connell St.?

    in reply to: O’ Connell Street, Dublin #731480
    gunter
    Participant

    Great stuff Graham!

    That window spacing is a bit of a surprise when you think that neither Grace in 1749, nor Brocas in 1818 picked it up, and given that the present, regularly spaced five bay arrangement, matches almost exactly what they drew (in error it now seems), except for the roof profile obviously.

    What I wouldn’t give to be able to go back in time, with a decent camera!
    . . . . ok I’m not stupid, I know time travel is out of the question, . . . . but if we could just send back money, as anonymous benefactors from the future, we could put some of these guys through draughting school!

    For twenty quid you could probably get the whole Brocas clan drawing like James Malton, and for another thirty quid there’d be genuine hope for Tudor :rolleyes:

    Here’s another old photograph that shows the building in it’s later 19th century guise, before the brickwork was rendered. The tram is at it’s ‘Pillar’ terminus and the horses are being switched to draw it back down the street. What a commanding presence the pillar was, up close!

    Graham, do you think that the windows were originally grouped, with the three central bays evenly spaced? The little dormer looks like it could be giving slight emphasis to the central bay of a uniform composition, perhaps.

    in reply to: reorganisation and destruction of irish catholic churches #773164
    gunter
    Participant

    gunter thinks Praxiteles has access to insider information πŸ™‚

    in reply to: reorganisation and destruction of irish catholic churches #773159
    gunter
    Participant

    The Dom was too easy πŸ™‚ what’s ye got on this one?

    It’s over the other side of town, don’t have anything on it.

    in reply to: reorganisation and destruction of irish catholic churches #773157
    gunter
    Participant

    @Praxiteles wrote:

    Erfurth Cathedral:

    Gunter! is this what you are looking for?

    Perfect πŸ™‚

    I could have got the same view myself, but it would have involved climbing to the top of a bungee-jump crane and that was never goin’ to happen.

    Erfurt is very interesting from an urban intervention point of view, because apparently there was a serious fire in the 19th century which took out the city block below the building with the red tiled roof and the city authorities decided to use the opportunity to amalgamate two smaller city squares into the one vast square that exists today.

    This created a huge space for festivals (and bungee-jump cranes) but the Dom and the other church, with the three little spires, are now a bit lost on the edge of the vast space and they don’t dominate in the way that they must have done originally.

    I must try to get more information on this, could be useful when considering the qualities that make for great urban spaces. Probanly a bit OT for this thread.

    in reply to: reorganisation and destruction of irish catholic churches #773153
    gunter
    Participant

    I love Erfurt, it is a great city. The Dom is an fascinating amalgam of several different periods, with that extraordinary high alter representing just one of them.

    The other chief glory of the Dom is the amazing triangular high-gothic porch which, together with the great flight of steps up from the main square between the two churches, is one of those urban experiences you have to do before you die.

    Can’t find any pictures though . . . guess I’ll have to go back πŸ™‚

    in reply to: Smithfield, Dublin #712496
    gunter
    Participant

    Bolton Street, should use their immersion in gritty urbanism to their advantage instead of following UCD into starchitect gazing.

    There might be token zany shapes, but is this not 1970s planning?

    Do we want Church Street to go underground at Constitution Hill?
    Is there someone out there who thinks tunnel portals are not one of the most damaging things you can put in an urban context?
    Do we need more grass in the city centre?

    All of this stuff has been tried before and it’s incredibly destructive of real urbanism. We need to learn how to mend the city, not replace it with Sandyford.

    I don’t want to be discouraging.

    in reply to: Smithfield, Dublin #712491
    gunter
    Participant

    Smithfield on ‘Culture Night’ last Friday . . . . a hub of inactivity, but well lit!

    in reply to: Macken St Bridge – Santiago Calatrava #744574
    gunter
    Participant

    @Blacktop wrote:

    My understanding is that, due to load restrictions, the outer lanes cannot take the strain of a bus lane.

    You’re joking, right?

Viewing 20 posts - 141 through 160 (of 477 total)

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