GrahamH
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GrahamH
ParticipantHad to laugh at how insulting Evelyn O’Rourke on the radio must have been to him during the week – introducing him as ‘Pat Liddy ah the Pillar’s gone, ah 1916, ah aul Dublin’s gone to pieces…’ etc 😀
What’s annoying about the copper lamp is not what it’s attached to, but rather where it should still be – ON A CITY STREET!!!
Still, more importantly again, does its presence here suggest that all the concretes are still in storage somewhere?!GrahamH
Participant1/9/2005
Went to have a closer look at the Merrion posts to see if if any other posts are recognisable from the olden days, and I came across the one below. Nver looked at it closely before but interestingly it’s a much larger chunkier version of the c1903 posts that went up around the city centre (and that lined O’Cll St as seen before). I wonder why it is bigger than usual – maybe it stood in a prominent place, perhaps the one in front of O’Connell Mounument or at the junction of South Grafton St?

Anyway, all was fine and interesting etc until I glanced upwards. Having seen the smashed lamp up there before I didn’t pay much attention until I walked around a bit more. Recognise anyone? 😡

@Morlan wrote:

GrahamH
ParticipantSo many posts over the past 48 hours have screamed little but ‘oh but Mammy, Johnny down the road has one’.
To pick up one one point, the very reason Irish people ‘gasp’ when they go abroad to New York or wherever is because we are different, refreshingly so. Our lack of an audio meter-like skyline is because we are NOT the very places that have them! This is partially down to planning alright, but largely as has been pointed out there is little need for glittering skyscrapers in a country of four million people. Our nation is the UK equivalent of Birmingham. Our capital is a suburb in Birmingham.Dublin’s uniqueness stems from being the very thing that it is, a low-rise intimate capital of a small, peripheral European country. It will never have a large conglomeration of international-equivalent ‘skyscrapers’, nor is this desirable.
A medium-rise Docklands of 8-10 storeys punctuated by the odd ‘feature’ building of 30-40 storeys in the Docklands is much more suited to the scale of Dublin city. Unfortunately it seems we’re not going to get even this in light of what has happened thus far.As for what Americans think about the scale of our buildings, with all due respect blah blah blah, who gives a toss about what Americans think, or anyone else for that matter, about the scale of our buildings. This is not contest.
GrahamH
ParticipantYep – the cladding is in an appalling condition now too.
GrahamH
ParticipantYes they do to a degree all right, but in the sun when there’s greater contrast, or even just being on he street itself, the attractive raised mouldings in the centre of the frames stand out a lot more.
I think if there’s wndows that need to be changed it’s the first floor ones – they are ugly full stop, even if they are original.It’s important to point out that all of the windows in this terrace were originally of stained timber when first installed in around 1920 – presenting an attractive facade of orangey red brick with complementary dark fenestration.
Whereas nobody could deny the sheer elegance of the white-painted frames of the First Active, perhaps overall the terrace could look better with the frames stained again.Still, I think the repainting is a remarkable improvement on what was there, i.e. a grotty facade of decaying windows on the capital’s main street. If the dirty brickwork was to be cleaned they wouldn’t be as nearly all-singing as they are.
As always the ground floor tenants say it all – the building society has a beautiful and well maintained facade including the shopfront, whilst the Budget Travel and callcentre are falling apart.This terrace could be the perfect candidate for unified shopfronts. It has a palatial facade, is self-contained, very exposed and features relatively few occupiers to kick up a fuss. What a great example it could set for Upper O’Connell St, and what an entrance.
GrahamH
ParticipantAnother rotunda – that of the National Museum. Fantastic space that I believe can be hired out, with catering facilities.
GrahamH
ParticipantAnnnyway…
Electrolyte the City Council do now have a certain ‘control’ over the properties on the street as O’Connell St has been designated a ‘Special Planning Control Area’, one of the first, if not the first in the country. This gives the local authority greater powers to control land usage (like the amount of fast-food outlets, convenience stores, offices etc) and influence the appearance of these buildings such as forcing the improvement of shopfronts, maintenance of the upper floors etc. Here is a key extract from the Scheme:“If owners/occupiers persist in ignoring the urgent need to repair, restore or replace their shopfronts, as required, then the planning authority may intervene and require owners/occupiers to implement an approved programme of remedial works.â€
(the same applies to force ‘undesirable’ uses off the street as well)The CC are largely relying on market forces to improve O’Connell St, encouraged by the public domain works. This is acceptable up to a point, but there are elements on Upper O’Cll St that may well need more ‘persuading’.
And on this very issue, coincidence or not I don’t know (considering a brush of paint hadn’t come in contact with these buildings in 20-30 years but this changes within weeks of it being highlighted), but it’s great to see that the decrepit properties in the post-1916 red brick terrace have finally got a bit of attention in the past few weeks – their windows have been painted!
May 2005

August 2005

May 2005

August 2005

What an improvement! And it only took how many decades?!
So much of O’Connell Street’s improvement is contingent on this the most fundamental of property management issues – simple maintenance.
The left-hand corner building is the only one left in the terrace to be tackled now.
It’d be nice if the GPO team couldn’t bear to leave the street without giving them a quick going over on their way home…GrahamH
ParticipantAs tempted as I am, I’ll have to say it was the former :). Thanks for that – soffit is a common enough term anyway, isn’t it used to describe the boarding underneath eaves, behind the fascia?
One thing I did learn from the radio is that all three figures up there are recreations according to Pat Liddy, not just one or two. Now that I think of a 1960s image of an exceptionally eroded Fidelity it does make sense that they were replaced!
And when I say ‘eroded’, I mean the average person’s interpretation, i.e. not Neil Jordan’s 😀
GrahamH
Participant😮
I’m guessing you have to look at that every day given your own house’s similarity?!
Out of all the ‘ugly building’ threads over the years and newspaper articles and all the rest, there is one building that has never ever cropped up. It is close to a building that often features, i.e. Dublin Airport’s 1960s terminal building, but is never mentioned itself.
And it is of course – Aer Lingus Head Office 😮
Welcome to Ireland.
GrahamH
ParticipantWow – that latter one is a great example!
There’s nothing like a bit of symmetry. Those gates are a dying feature on Irish streetscapes too.GrahamH
ParticipantWhat a silly article. As most people know, there have been more banners tacked onto that portico over the years than one can care to remember – of course it is pockmarked with drill holes and the like. There’s also hoopy brackets up there on the underside of the entablature (is there any less mouthful-like term for it?) probably left from 1988, positioned in the midst of the Greek scrolling, though pretty obscure all the same.
Liveline devoted their programme to it today, with the above Lorcan Collins rightly dispelling some of the myths being propagated in the article. Pat Liddy had some interesting bits and pieces to add too.
The columns certainly do still have some bullet holes, but it is likely that there are more indents caused by drill bits that the output of rifles.GrahamH
ParticipantOh please – hmmm I wonder which I meant?
It’s cause like, statues don’t have ‘access’, cause they’re like statues, and they don’t have ramps so wheelchairs can’t like get onto them, and there’s no doors in statues either cause….
oh forget it…..
GrahamH
ParticipantWalking tours of the O’Connell Street Monuments are proposed as part of Ntl Heritage Week, on the 6th, 7th and 8th of September:
Guided tour of the recently cleaned statues of Dublin’s O’Connell Street by City Heritage Officer, Donncha Ó Dulaing.
Date: 06/09/05 – 08/09/05 Time: 1.00pm
Venue/meet: Daniel O’Connell Statue, O’Connell Street
Location: O’Connell Street
County: Dublin
Adm: Free
Access: No wheelchair access (:D)
Contact: Places are limited, booking is essential. Please call 01 2222856 or email to sarah.ogorman@dublincity.ie to book your place
Tel: 01 222 2856
Fax: 01 222 2271GrahamH
ParticipantYes, it’s an elegant building – simple and unpretentious. Flat porticos always do it for me 🙂
Kildare Street is now displaying a fine array of sparkling clean stones from around Ireland and Britain.
There’s such interest in this streetscape, and unusually not just from the design of the buildings but also the materials used – from Georgian red brick to Victorian red brick to a wide variety of limestones, sandstone and granite – loads of colour and texture.
GrahamH
ParticipantYes a well-proportioned structure with of course the most fantastic gothick sashes – and famous as has been said from Malton’s Capel St/Parliament St vista:

It’s a crying shame to see it in the condition it is – definitely a case for getting the wheels of protected structure legislation rolling.
GrahamH
ParticipantWell here is ‘Callely’s taxi rank’:

It appears the taxis will sit on a paved area mimicking the median surface and width, though obviously it will not visually work as, well, there’ll be twenty cars sitting on top of it :rolleyes:

The new median is nearly finished from the Spire up to the taxi rank (which of course breaks the median in half). The granite looks fabulous:

…especially where it contrasts with the other stone (basalt?):

As for the missing trees, you’d barely even miss them were it not for the odd building that really stands out now which was previously obscured! The impact isn’t nearly as great as it was with Lower O’Cll St and the revealing of the first 1920-23 neoclassical terrace.
Some pics soon.GrahamH
ParticipantOn this issue of façadism – that is to say the practice of retaining older facades for new structures to the rear – I read an article recently expressing some opinions on the practice that proved interesting.
I suppose the central ideology behind retaining façades is the preservation of the streetscape and architecture of merit, whilst allowing ‘modern life’ to continue unhindered in its expansion and change. It is a compromise.The article argues that façadism can be looked on negatively due to “the breakdown between form and function, and therefore the legibility of the city, whilst also blocking architectural innovation… Its broader societal effects are the concealment of social change and the production of a historically depthless image, which subsequently completely alters the cultural meanings of the urban landscapeâ€.
(An opinion I think would also be applicable to reproduction façades)This would seem to be the central objection most people have to façadism in all its forms: buildings that purport to be one thing, but are in fact another. It is dishonest. And this dishonesty not only affects the building but also the street in which it is set, as one can no longer ‘read’ the streetscape; architecturally and culturally it has been altered from the status quo of original and ‘honest’ structures.
I understand this logic, and fully accept how one would detest the practice.
However I think that once you bring the façade/pastiche debate to this level of consideration, one also ought to be more readily able to accept individual cases or circumstances in which reproduction or façade retention is used because they are aware of the history of the site – whether it be the building that once stood there, the controversy of its demolition, the structure that subsequently replaced it, the politics of the event, or the impact of the replacement on the streetscape. Once one is aware of this, and one knows that this is a once-off, unique development in the context of the city at large and is not standard practice, I think the use of reproduction or façade retention in exceptional settings is an acceptable practice.The ‘unique’ element I think is crucial to this debate – were one to go about willy-nilly erecting reproduction buildings, the city would crumble in the credibility stakes. It would be a charade.
But in key spaces where a replica building can reunify a terrace or streetscape in a fashion that contemporary architecture cannot do (admittedly highly subjective), then I think reproduction can be at least be considered rather than automatically ruled out as is always the case. In such unique circumstances, as a general rule there would be significant public interest in the scheme, to such an extent as to make a building quite open and honest about its provenance and epoch. And once a few years go by, as with all buildings, people who detested the notion mellow to it, and begin to appreciate it for what it is – a fine, aesthetically pleasing structure built of quality handcrafted materials. A one-off, tailored for that location, not one of a thousand erected by developers across the city, or as part of a wider policy by planning authorities.
Particularly in relation to the practice of façade retention, like the Westin or the terrace of buildings on South Anne Street, the article quotes Lefebvre: “the tendency to make reductions of this kind – reductions to parcels, to images, to façades, that are made to be seen and to be seen from (thus reinforcing the notion of ‘pure’ visual space) – is a notion that degrades space.â€It also says quite correctly I think that “a neighbourhood or even a whole city may change in function and social make-up in a matter of a few years, yet remain static in the visual sense.†It adds: “…all urban landscapes are in some regard monuments to past events; the retention of façades alone erases the genius loci of a place. All the memories contained in the space are eradicated.â€
I’d largely concur with this, but again would apply the above proviso. Provided façadism is restricted to exceptionally limited circumstances, it does have a limited role to play.
If a building simply cannot adapt to a contemporary use in a changed (usually modernised) environment without substantial alteration/demolition behind the façade, then it just may be permitted. Now who decides these criteria, and how they are applied is a tricky question alright. You might argue however that as in days gone by if a building becomes redundant, you demolish it and build something that is of use, tailor-made to what is needed and in an ‘honest’ contemporary idiom.
But does this always have to be the case, following on from what has always been done? Why not preserve a façade of architectural and/or sculptural/material merit, especially if it contributes to the streetscape at large?To say in a sweeping fashion that the practice is ‘dishonest’ in being non-representative of the interior and what is really happening behind the façade, well isn’t this the case with the majority of older buildings anyway in Dublin in particular? Georgian/Victorian/Edwardian buildings featuring contemporary shops on the ground floor, a modern service provider on the second, and storage in gutted interiors on the third and fourth?! This is hardly representative of the period of the building or of what one might expect from outside. Agreed that yes, it does reflect the social and cultural evolution of the building, but comparing it purely on this ‘depthless’ ‘unrepresentative’ basis to a modern office or retail development behind an historic façade, they are directly comparable on a physical level.
Likewise the conservation lobby including renowned State agencies like the OPW, place particular emphasis on ‘renewing’ period structures. As the old mantra goes ‘we are confident we can find new uses for the old buildings’.
Is façadism not just taking this practice one step further, and in exceptional circumstances? And even in these situations, the preservation of as much of the originality and character of the original structure ought to be encouraged.Anyone have any opinions (again :o) on these issues? One thing that ought to be noted I think is that in Dublin we are quite sheltered from these debates and cases of these practices, in contrast to the likes of Edinburgh or Bath where they often rage – so just to acknowledge the notion of ‘exceptional circumstances’ may be easily applied to Dublin but not necessarily other cities.
GrahamH
ParticipantIt was always the intention from the outset that the Plaza area would simply give the impresson of a public space, but in practice would simply be a continuation of the O’Connell Street model, minus median trees.
And this is the problem – the median of the plaza is just that, ‘the median’, just as it is on Lower or Upper O’Cll St – a central pavement. It’s only because the roadways either side give the impression of it being a piazza that motorcyclists (and pedestrians) think otherwise.
The median of the Plaza is a pedestrian footpath, not a parking bay for motorbikes or pedal bikes.
Any form of bicycle that is parked here is obstructing the pedestrian and is hence infringing the above by-law.You would not be permitted to park you bicycle in the middle of the side pavements, so why the Plaza?
No difference. They must be removed.GrahamH
ParticipantThe vast majority of the city centre is capable of absorbing contemporary buildings – indeed the only sites I can think of where I think reproduction is desirable is the Ulster Bank site on College Green, and Penneys and Schuh on O’Connell Street – three buildings by their design, and their modernist idiom I think are damaging to their respective streetscapes.
But Nassau St is more than capable of absorbing contemporary architecture, as are 99% of city centre streets made up of that jumbling mixture that makes Dublin what it is.
GrahamH
ParticipantThe mind boggles at what was going through the head of the developer at the time; why would you even bother going to the effort and expense of shrouding any building, let alone an historic church, in a concrete box?! :confused:
Why would you want to make your investment even uglier?!
These were taken a while ago, but yes you can make out various details in some of the gaps in the cladding – indeed it’s not even cladding, more of a shell that just covers over the church. The ground floor arches seen in Paul’s picture below can be made out from the pavement below:

A monster of a structure all round.

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