GrahamH
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- November 22, 2005 at 1:27 am in reply to: reorganisation and destruction of irish catholic churches #767363
GrahamH
ParticipantIt is without doubt the loss of the High Altar that so destroyed the interior of the Pro-Cathedral.
You have the great line of Doric columns marching into the distance, building up the tension and heightening expectation, then they powerfully sweep around at the western end, terminating the vista by enclosing…….well…….nothing.
It’s such a let down.The mind boggles how such drastic alterations could be carried out at any time, even the 1970s, and that they be permitted by so many people, not least the church’s own congregation. Was there any disquiet at the time Praxiteles do you know?
The altar rails look magnificent too – so befitting of a classically inspired church 🙁One niggly thing that’s always annoyed me about the Pro is the little circles with gold crosses painted on them half-way up every column. They look finicky and inappropriate, an unnecessary detail so typical of Catholic churches – features that are for the most part appealing in a strange way – but here they detract from the power and drama of the columns, especially around the sanctuary.
It is the bold architecture of the Pro-Cathedral that makes it what it is – there is no need for applied decoration.GrahamH
ParticipantThe new double height Mary Mall in the Ilac – really opens the space up. This is looking out towards Liffey St:

(sorry about quality)
Similar celings are being used for the mall linking to Parnell St, though its single height is being retained.
And the void on Henry St resulting from the demolition of Dunnes Stores. I only recall a nasty white cube of some kind here before, perhaps just the shopfront – anyone remember exactly what it was?

If ever there was a case for a decent traditional building to be built today, this is it. This is a beautiful, almost unified palatial terrace lining the nothern side of the street as reconstructed post-1916. A simple brick facade with limestone dressings would complete the terrace perfectly – indeed its entirely likely this is what was here before 🙁
It would also cosolidate the warm red brick and terracotta character of this, the finest part of Henry Street.
GrahamH
ParticipantIt’s supposed to be done – it was intended from the very beginning.
Maybe the CC are just waiting for the rest of O’Connell St to be finished. Hopefully – it would look spectacular.GrahamH
ParticipantIndeed. It is so frustrating to see this happen in too many places. In the Sunday Times recently there was a letter published with someone looking for advice on the purpose of a 99 year lease a developer was utilising as part of the sale of houses in his estate – I was bowled over that any developer in Ireland even considered using such a device anymore!
It’s a tool that really ought to be used as standard; too often developers are just throwing up estates, flogging the houses for a quick buck and legging it. To hell with how the place will look in 10 or 20 years time – windows, doors, boundary walls, gate piers and extensions can be added or altered at will, with no consideration for a cohesive whole.
Indeed I’ve been watching a housing estate near me going up over the past three years, and even as it is being constructed people are choosing to install white PVC in what is an otherwise exclusively brown windowed and ‘faciaed’ development.Also the most farcical, most ridiculously overscaled, most cumbersome porch extensions and roofs are being added onto the 3yr old houses in the first phase – again with much of the estate not even finished! And as horrible as it is, the standard developer sunny yellow is already being replaced on some houses (all semi-ds) with magnolia or cream! The most pointless slightest varitation in colour, but just enough to upset the whole cart, and of course just enough to stamp clearly ‘this is my patch’ :rolleyes:
If we cannot even design our residential buildings properly in this country, the very least we can do is insist that a coherent and ordered look be maintained.
GrahamH
Participant@Devin wrote:
PDLL, I have had enough of you. You are a drama queen….so maybe if mostly pictures are put on here PDLL will shut up.
That’s unfair Devin, even if said tongue in cheek. Just because you are so immersed in conservation does not mean everyone else is or shares your opinions.
Valid points have been raised that are too often glossed over.GrahamH
ParticipantHaven’t been able to bring myself to take pictures of it, as it’s much worse than previously thought!
What looked like a fantasically outlandish ‘genuine’ reproduction scheme 🙂 has turned out to be truly appalling – quite literally it is the architecture of Disneyland. This comparison is always bandied about, but it is 100% correct in this case – the huge main entrance portico from the car park even has the audacity to use fluted Corinthian columns, which look so laughably out of place in a provincial Irish town it has to be seen to be believed. And as for the proportions 😮
Pics soon – only your’re paying for the cracked lens right?Murray O’Laoire’s building looks rather glum and corporate from the main elevation, like an American inner city hospital. From a distance though it looks well running along the landscape, being located in what is a very flat region (other than the Cooleys). Ought to reflect the often steely sky and generally glum weather conditions round here.
Hard to make out the facade treatment.November 19, 2005 at 4:32 am in reply to: Trichet Signals ECB Interest Rate Hike (18/11/2005) #763302GrahamH
Participant@lexington wrote:
For many architects
Developers you mean 😉
Ripples in the architectural world – a potential tsunami for Mr O’Callaghan and Friends.GrahamH
ParticipantYes things are progressing fast up there, so much so it’s still a bit difficult to make out exactly where is getting trees and where isn’t – so much for the kiosks arriving in July though. Still very wary about the impact of these on the street……
Yes I’ve been getting very annoyed with Clerys over the past three years – their Christmas trees have been getting progressively meaner and their lights duller over this period. I remember when the MTV Music Awards of all things came to Dublin in November about 5 years ago, and the establishing report of the city showed the Clerys Christmas trees in all their magnificent glory, big, bushy and grand, and covered in sparkling white lights. By 2005 they are little more than twigs with a couple of strings of coloured lights strung around 🙁
Also they ought to turn off the main floodlights as they blast up under the trees completely wiping out the tree lights.
Henry St is very dull looking alright, though this could be down to the problems of mounting decorations on buildings as there’s the big derelict Dunnes site, plus the Ilac redevelopment that would have interrupted the traditonal ‘big star’ scheme 🙂Yikes now I see what eoin82 means about the cracked lintel of the bridge in the pic below – what happened here?!
It’s the very piece of concrete featured above as taken a few weeks ago, clearly it’s all just caved in!Interesting all the same to see the supporting iron armature encased in the middle of the baluster; this is what must be holding much of the bridge together. Not electrical tape as previously thought.
GrahamH
ParticipantYou make many valid points PDLL, particularly regarding how attitudes towards buildings can change so radically. What is perhaps a close example to the prospect you cite of the mundane of today being valued in the future is post-war emergency pre-fabricated housing in the UK – at this rate it’s entirely possible some of these structures will become listed buildings in the not so distant future.
Everything is relative. When we consider conservation in Dublin, it is nothing compared to Bath or Edinburgh, and they in turn nothing to Venice or other similarly preserved ancient cities. They have been dealing with conserving and protecting old buildings for generations and all the issues this raises – by contrast in Dublin, and indeed Ireland has a whole we are only beginning to get to grips with the concept. It is still very immature by comparison to other places.
For me, I suppose the general rule of conservation would be that a building which is broadly considered to be worthy of protection be conserved on the condition that it does not adversely disrupt or affect ‘the greater good’, which may perhaps involve a proposed scheme of architectural merit or a development of social value etc. Of course the ‘greater good’ may well be the retention of the structure itself, so it is the juggling of these many factors that decides what is worthy of retention/protection and what is not. Admittedly this is very general, and can only be worked out, if at all (as opinions will always differ), on a case-specific basis. Inevitably it is the compromise of conservation of the subject building and the redevelopment of adjoining structures/lands that takes place and for the most part this proves more than satisfactory.
Regarding the protection of what would have been considered in previous times to be of little or no merit, at the end of the day it is what is generally considered contemporaneously of value that counts. Just as Cork County Hall may have been reviled when first built, or Bank Of Ireland HQ considered outlandish, or even more modest buildings like that concrete building that was on the corner of Pearse St and Tara St in Dublin – times change. By all accounts we may come to treasure the plastic residential development of today in 200 years time, in which case so be it, as much as it is difficult to say :).
Indeed what is currently deemd to be acceptable as just mentioned – having new next to old – may well be considered horribly inappropriate in 50 years time.I wholly disagree with your assertion that architecture in Dublin has ‘been almost systematically stymied’ by the Georgianists – I challenge you to list the instances of architectural castration in this city as inflicted by Georgian conservationists, of which you imply there are a great many.
The lack of architectural ‘progress’ as it may be perceived has come about through a host of reasons, not least a fundamental lack of interest in design itself, and of which I would rank conservationism as such an impediment at the very very bottom.GrahamH
ParticipantAs long as we can’t see you – very big of you.
GrahamH
ParticipantThe subject person was removed.
It is sad that all you can do is make jibes at people who disagree with you naz78. I explained that the wording used previously was not personal – I don’t see what you find so unreasonable.
November 18, 2005 at 2:12 am in reply to: reorganisation and destruction of irish catholic churches #767318GrahamH
ParticipantThanks for all the pictures Praxiteles – partiicularly Longford, what a gem of a building. Those columns are magnificent!
How disturbing to see all of these reorderings in black and white – whatever about the removal of architecturally significant features, but to then install bathroom showrooms as liturgical and architectural focal points of these splendid buildings is nothing short of criminal.Another by Duff, and whilst not (quite :)) a cathedral, and not as opulent as others featured, St. Patrick’s in Dundalk has had the most horrendous rubbish thrown up in the sanctuary. I don’t remember what was here before the ‘changes’, but in its place has been put what can only be described as an altar table from Homebase fronted by an 8×4 sheet of MDF with laser cut gothick arches, bright verdigris paint and backlit with a florescent tube:

Luckily the worst of it is concealed here beneath the altar cloth. It beggars belief when you see it up close – looks like a cartoon plonked into the ‘real world’.
Also the throne looks like it was a nicked from a 1980s country house hotel, whilst the timber lecturn with ‘feature panel’ is equally inappropriate in an exclusively marble environment.
On the upside, I believe St. Patrick’s also has mosaics by Oppenheimer, just not sure which particular ones.
I dread to think what was there before the timber-n-carpet conference stage was introduced 🙁GrahamH
ParticipantYes this has been kinda annoying me too for the past 6-8 weeks at this stage eoin82:

It disappeared around that time – did it plunge down into the river? If nothing else it is very unsafe for small children whatever about being unsightly, located in the very spot where people stop to take pictures of the Liffey looking west.
Surprised it hasn’t been dealt with yet, suppose it’s up to us as the public to contact the City Council about it as a matter of safety.Also the concrete patch-job on the lintel revealed by the recent cleaning. Classy :rolleyes:

GrahamH
ParticipantWhere is this Summerhill mast Andrew? It always mentioned (obviously :)) as the tallest structure in the country – just where is it?!
GrahamH
ParticipantIt’s interesting to compare the attitude towards Georgian buildings in Ireland and the UK; 18th century stock over there is pretty much akin to how Victorian stock here is perceived – ten-a-penny and intrinsic to and characteristic of the built environment, especially urban areas – but nothing out of the ordinary.
By contrast Georgian buildings here seem to be considered so much more of value than their UK colleagues, being granted an almost servile level of respect. And with good reason in my view: they are our oldest buildings surviving on a mass scale, and the earliest stock of ‘modern’ times, that laid the foundations for how we build and live today.
Every country makes an effort to protect their oldest buildings regardless of how high they rank in the international hierarchy of ‘oldest civilisations’.The approach to 18th century heritage here seems much more in line with the protectionist measures afforded Jacobean and Queen Anne buildings in Britain, as ought to be the case. We’ve damn all else prior to 1700, 1730 even.
I don’t like the term ‘blanket policy’ in that it suggests everything is worthy of retention which is not the case. But broadly in agreement with what jimg says, a tread-carefully approach ought to be taken, i.e. assume 18th /early 19th century buildings to be worthy of retention and protection, and work back from there taking into account the architecture of the structure in question, the amount of original fabric remaining, and context context context on a host of levels.
Whether we like it or not, there is a value in ‘oldness’ – whether it simply be the aesthetic of ‘traditional’ design, how buildings stand as reminders to how previous generations lived, or even how the process of aging itself generates a visual and often intangible allure. I think what makes your analogy to the judicial system somewhat incompatible with the built environment jimg is that unlike in criminal cases where it just may be possible for one to be found innocent with the passing time, buildings are pretty much gauranteed to be uncovered as whiter than white as time progresses 😉
GrahamH
ParticipantThis building Stephen?

If anyone’s walking through the Castle grounds, be warned – the unassuming pedestrian is likely to experience heart failure upon turning into the Dubhlinn Gardens:

😮


Frightening how quickly these went up – not quite sure what to make of it all. Not so much the impact on the Coach House as it is little more than a sham anyway, but the stone cladding of the new buildings looks rather vulgar – like the tiling of one of these crass four star hotels in the news at the minute, or the flooring of a flash shopping centre.
Wonder would Victoria be satistifed with the view from her bedroom window this time round? 😉
GrahamH
ParticipantWell clearly you haven’t.
Not wanting to stir things up again, but the ‘babble’ referred not to the content of your post – rather as you described bricks and mortar as not being of significance, if this was your view, whatever opinion you expressed in your post would by definition be of equal insignificance if you cared so little for the built environment.
I’m not saying this is the case as I know nothing of you – just explaining the context.November 16, 2005 at 12:26 am in reply to: reorganisation and destruction of irish catholic churches #767294GrahamH
ParticipantA magnificent ‘strong’ building: very imposing and located on a fine site – indeed one of the best aspects of the building is its environment.

GrahamH
Participant@Devin wrote:

…
What an extraordinary building! Never come across it before, though I do recall seeing it in the very place mentioned, the Airport, and wondering what building or even what city it was!
What the heck sort of columns are they under the portico?! – bizzare proportions.
When was the portico demolished – part of another road widening scheme?To think how famous that Statoil garage is for all sorts of reasons ;), not least as being probably the only petrol station in the city centre, it is extraordinary that such a prominent building once stood on that very site with little to nothing written of it.
What is equally notable is just how cohesive this quay once was, the rubbish that lines it today, and most prominently of all just how much the garage scheme completely destroys the very nature of the Liffey quays in this area – punching a devastating hole into the riverscape. Unfortunately it is this that forms the abiding memory of the western quays for me every time I walk down there, indeed even as a child in the back of the car I remember hating this area because of sites like that – you always got the impression of the city just gradually crumbling away the further west you went 🙁
GrahamH
ParticipantCobbles. Whereas this pic dates from Nov 1922, it’s pretty much gauranteed they were cobbles in 1880 too:

A huge undertaking to pave all that by any standard.
To see the bridge in the earlier pictures in all its coordinated custom-designed glory makes the placement of orange bulbs in some of the lamps all the more frustrating 😡

There’s an even worse lop-sided one too.
The condensation on the lens here generated the effect from the Bohemian Rhapsody video 😀

Agreed the D’Olier St site was a fine location for a statue island – what a shame O’Brien was moved.
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