Devin
Forum Replies Created
- AuthorPosts
Devin
ParticipantI think a stepped plinth like that of the O’C Mon. needs to run into an area of flat ground…
Devin
ParticipantHow the CC resisted putting in the standard skinny heritage repros in there in that historic and heavily-touristed location, I don’t know. But apparently those lamps at Guinness’s were planned & designed by the CC Lighting section … and how well they complement the surrounding circa 1900 industrial architecture!.…so lads, more of this approach please & less of the blanket ‘heritage’ approach!
That’s extraordinary that the planning section of the CC aren’t involved in post selection or preservation
The remarkable thing is that seemingly all other items of the city’s historic street furniture – stone & cast iron bollards, stone paving & setts, coal hole covers etc. – are listed for protection in the development plan….but not lamp standards 😮 (An T have asked the CC to come up with a policy for lamp standards that would protect remaining originals, encourage good contemp design & restrict use of historic reproduction).
That Irish Eyes site you linked Graham is hilarious 😀 ……..pure paddywhackery! ………but at least they managed to snap an original circa 1900 lamp standard lurking on Beresford Place and not a modern replica around the corner on Custom House Quay!
Devin
Participant@Graham Hickey wrote:
That is one comprehensive listing of locations 🙂
It’s easy by bike 🙂 .
Agreed about the proportion of the lamps & the Quays. There are some even greater absurdities in terms of proportion and relating to the street]really[/I] want to see any more of the (better quality) silver lamps, Graham. A lot survive in the 2 Georgian areas – I think it should be left at that. I take your point about the historic environment of St. Stephen’s Green. But to be honest, I would rather see the existing ‘60s/’70s curving lamps left – they have an attractive simplicity about them….I just can’t take any more fussy historic reproduction in the city!!
As far as I have been able to glean, the planning / architects section of the Council are not consulted in relation to removal / insertion of lamps on the city’s streets (unless of course it is a specific, coordinated scheme like O’Cll Street). This appals me!! It seems the Public Lighting section just go and do what they want….you have to ask would the city be so riddled with nasty repros otherwise?
Of the two original types, I think of the stout, plinth-like based one as the ‘male’, and the tapered-base one with stud detailing & shamrock in the centre of the head as more ‘feminine’. Yeah, they’re situated alongside the Four Courts – respite from the flimsies on the rest of the Quays! (I think it’s the stout, plinth-based ones (in repro form) that are outside the Custom House).
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
This is an example of what results when you have the brainless blanket installation of repros on city centre streets, without thinking about scale and spacing: two tall lamps inappropriately shoved up close to each other on adjoining streets & so at different angles (in an important location). I know there was a lot of street furniture around in past times, but you’d never see something like this:
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
I think these lamps at Guinness’s (from the An Taisce report ‘Dublinspirations’) are an excellent example of the options available other than repro:
Devin
ParticipantRE: THE SILVER REPRODUCTION LAMPS
@Phil wrote:
To replace [the Art Deco] lamps with reproduction ‘heritage’ lamps displays a very warped sense of history
@Graham Hickey wrote:
On one level it is warped indeed, but I think it is important to note that these silver lampposts are much more than just heritage pieces of furniture: they are as much a part of Dublin as red telephone boxes are to London. And I presume that in some areas of that city brand new boxes have also been installed over the years in places where needed not because they’re olde worlde, but because they embody the city in a manner like nothing else.
Likewise in Dublin, in fairness to the City Council, the erection of these lampposts in appropriate places is generally executed in this spirit rather than in that of a yearning for the days of yore as is generally the case with pastiche concoctions.
I hope it is ok to cross-quote into this thread (for fear of quoting out-of-context, the original posts are here: https://archiseek.com/content/showthread.php?p=33946#post33946 ). Since they make up such a heavy proportion of the city centre’s lamp stock, I think it’s probably best to talk about the silver repros in a dedicated Lamp Standards thread.
There are two basic types of repro lamp in use in the city. The first, and most heavily used, is quite a flimsy and, in my opinion, poorly-detailed historic-style lamp. It is found on: Winetavern Street, the Quays (excluding 6 beautiful original shamrocks outside the Four Courts), Stoney Batter, North King Street (part of), Parnell Street (part of), Summerhill, Capel Street (north end), Abbey Street Lower, Mayor Street (most of) & Commons Street in the Docklands, Fleet Street (painted blue), Ship Street (part of, painted black) Sth. Gt. George’s Street, Aungier Street, Wexford Street, Camden Street, Heytesbury Street, New Street, Dean Street, Clanbrassil Street, Harcourt Street, Ely Place and Herbert Street (the last three streets have some originals as well).
I can’t agree about the validity of these, Graham. I think there is something sick about smothering so many important city centre streets with what is a fairly cheap and nasty piece of false history.
Then there is the other, more substantial and less-used type, which is a fairly accurate replica of probably the most common genuine historic Dublin lamp standard (apparently dating to 1900-30 and found extensively throughout the North and South Georgian cores). It has a stout, deeply moulded base & ornate head. They are quite an impressive replica and are sometimes hard to tell from the originals, but the giveaway is the column]http://img226.echo.cx/img226/7108/reproductraditlamps1a4dr.jpg[/IMG]
Silver repros on the Quays
Devin
ParticipantSaw that myself. No idea.
Came across an interesting photo, showing the buildings that were demolished on the Millenium Garden site. It’s taken during De Valera’s funeral in 1975. The procession is making a detour to get around them!!

Devin
ParticipantThanks for all that Graham. I’ve got some stuff on lamps in the city myself which I shall put up soon. The quality, design and appropriateness-to-location of new lamp standards, and importance of protecting our historic lamp standards, are soo important, but, unlike buildings, lamps can often come and go without you noticing…
Devin
ParticipantSorry….have only just seen it now in O’C St. thread!! 🙂
Devin
Participant‘Fraid it won’t be happening for quite a while…..’til major traffic calming is worked out for the Gn.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Whatever about the removal of the majority of these in the early ’80s, the removal of several as recently as 5 years ago is totally unacceptable. And it begs the question; what did they do with them after removal? Are they being carefully stored or were they just smashed up? Does their concrete construction mean removal inevitably results in chipping/breakage to the lamps, preventing re-use? Any which way, removing them was a prime example of official cultural vandalism.
Graham, I look forward to the info you’ve gathered on lamps in the city centre (‘got some of my own too). Where will it be going, a new thread or an existing one?
Devin
ParticipantSorry Phil, I had my screen brightness down low cos it’s burning my eyes, but there are actually TWO concrete Art Deco lamps there…even worse!! 😡 They once lined O’Connell/D’Olier/Westmoreland/College Streets & around into College Gn. a bit too. Most of them seem to have been removed in the early ’80s. They were priceless & should never have been touched 😡 😡 .
Devin
ParticipantYes, that one is gone, isn’t it? The bastards – they’ve been slyly removing them here and there & replacing them with fake muck…three also dissappeared from O’Connell Bridge at around the same time; one each on the pavement near the south quays, and one directly outside the ICS building.
There’s one remaing on the Westin side of College St., near the D’Olier St cnr, three on the other side of College St. & two on D’Olier St. (six altogether).
Devin
Participant
Nice as it is, from this angle it unfortunately looks like it’s just been applied onto the mansard roof crap next door.
Devin
ParticipantCould it be the projecting entrance bit of a higher building? I must look at some other old Coll Gn photos & see if I can see…
Had a look at that group of three trees on their own outside Fox’s/Thomas Cook’s – they’re nice; – they could definitely stay if everything else was to be removed. All of the trees in College Green now are indispensable to ameliorate the awfulness of the traffic, but could all be disposed of with major traffic calming (except perhaps for the three mentioned).
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


Also, in these winter/summer views (albeit winter a few years ago), notice the difference trees in bloom make to the view of the House of Lords/BoI portico from College Street.
Devin
Participant@Peter FitzPatrick wrote:
I think in College Green’s case the trees are ‘clutter’ … they manage to block views of trinity from dame street and the bank of ireland from grafton street …
I know they do. But they were excluded for the purposes of our report, which just looked at the need to reduce and coordinate the mess of signage, electricity boxes, flagpoles and other items in the city streets and spaces.
I think the late-19th century ‘before’ photo makes all the argument necessary for the way College Green should look now (with people of course 🙂 )
The bollards around Grattan look nice in the above photo…such a wealth of detailed street furniture. .we’ll never see the like of it again!
Devin
ParticipantYeah they’re nice-ish buildings (M Redcap’s & the one beside it), but when there’s a high density scheme with a new pedestrian street proposed, arguing for relatively modest buildings can go against you. People seem attached to Mother Redcap’s – not least An T; it’s our local 🙂 – but it’s only been there since 1988. Before that, it was a shirt factory. There’s nothing of interest inside.
The protected structure is a bit of the City Wall at the back of the site.
Too right about the terrible ’80s/’90s buildings in the area. The buildings on High Street are just unspeakably bad….I think the worst urban buildings anywhere in the country….
Devin
ParticipantI checked out the Wynn’s windows myself too since Monty mentioned them….was reasonably impressed, although as with all double-glazed multi-pane sashes, the glazing bars skim over the surface of the glass, resulting in a slightly fake look. But at least they have copied the V-shaped sectional profile on the outside, formed by the putty in a traditional sash.
Better if older sashes can be repaired where possible, but when an old lady like Wynn’s needs to maintain its profile in an age of international hotel, leisure & conference complexes, I suppose you can’t complain. In contrast, the sashes in the stone warehouse above could and should have been repaired, or if they really were beyond repair should have had accurate replicas made. There was definitely a slip up there! 🙁
The glazing bars in the pink houses seem to be over-thin. Not even in the 1790s peak of slenderness have I seen such thin bars!
Devin
ParticipantGreg, An Taisce made a Dublin City Council submission and were one of 3 parties to appeal to An Bord Pleanala against the Mother Redcaps plans. The An Taisce appeal was made on the basis of scale and impact of the new development on the character and setting of the Tailors’ Hall, a protected structure. DCC Ref. 1606/04; ABP Ref. PL 29S.208027. The appeal details can be seen here (put the last six digits of the ABP Ref. into the box) :
http://www.pleanala.ie/numeric/indexnum.html
@GregF wrote:
There was a fine building that stood on High Street just a few metres down from Tailors Hall, An Taisce’s HQ. It was the former AIB Bank (beside MRCB paints) and dates from Victorian or Edwardian times. I’m sure it had a fine interior too and it had survived the Corpo’s inane road widening schemes of the past.
I was very saddened to see at Christmas that it had been gutted with only the facade remaining. I suppose it will be transformed into appartments or offices. I did’nt read or hear any objections from An Taisce!Just since we’re talking about this area, the bank building you refer to in this post from a while back was a originally 4-bay mid-Victorian building. 2 bays were added on the west side in the early 20th century, to match the rest of the facade. In the redevelopment, only the interior behind these 2 bays was demolished, which was not of any merit. The interior of the original 4-bay building survives.
Devin
ParticipantAnd those windows must be an unqualified breach of fire regulations…how would anything bigger than a cat escape?
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

This building is a fine mid-19th century double-gabled stone warehouse (a Protected Structure) on Anglesea Row, a mews lane behind Capel Street. In a recent refurbishment, its original slender-barred sashes (which should have been repaired & draughtproofed) were replaced with these double-glazed models. They don’t look too bad at a glance, but the detail of the originals has not been copied – the glazing bars are crude & fat and the horns are the Victorian type suited to single-pane sashes. The same shitty sashes have been put into the whole of the corresponding 4-bay Georgian building fronting Capel Street (formerly Forseye & Forseye furniture, now Centra). They look even worse in this location!
Devin
ParticipantReally? Well that’s good. I’m glad that Town Councils are getting on and designating ACAs. I’m dissapointed in Dublin City Council’s efforts so far with only O’C St. designated…There are so many city-centre streets that are prime candidates for ACA – like Capel Street, Thomas Street, Grafton Street – which have have large concentrations of older buildings which though not outstanding work well as an overall group. Also dissapointed that DCC are persisting with the old, toothless Conservation Areas in their new Development Plan 2005-11 🙁
There are some clanger examples of double-glazed Georgian sashes around town! Because 2 sheets of glass are involved, strips of wood have to run across the outside & inside of the window in a Georgian pattern…there’s no putty involved. I’ll post an example if I can.
The ‘Diamond Buildings’ windows in Dundalk are a reasonable imitation of a Georgian sash from a distance but are vile up close, with their selotape Georgian strips :rolleyes:
Devin
ParticipantIndeed……the conflict between keeping the character of an older structure and complying with the modern regulations is a minefield…….
Just about ACAs:
The Gresham like all the buildings in the O’Connell St. Architectural Conservation Area would have received correspondence from the Council explaining exactly what the designation entails. I’d be very surprised if new windows were put in the Gresham without approval.
As far as I know O’Connell St. is the only ACA in the state so far. ACAs are not to be confused with the pre-Planning & Development Act 2000 ‘Conservation Areas’ that most Development Plans still include. These are crap – they have no leglislative teeth – they are just objectives for the protection of an area, to be quoted in planning decisions etc….there is no recourse when a building has had inappropriate alterations. ACAs on the other hand carry the same weight as the Protected Structure system, but pertaining to exteriors rather than the whole envelope of the building.
Devin
Participant
- AuthorPosts
