reorganisation and destruction of irish catholic churches
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Praxiteles.
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- August 1, 2009 at 9:20 pm #772956
gunter
Participant@johnglas wrote:
. . . his contention that all true Christian churches were cruciform is just plain wrong. (Most pre-1829 churches were rectangular or T-shaped.)
. . . and the early crusader churches of the Hospitallers and the Templars were round! (not Torphichen unfortunately johnglas, nor Kilmainham, as far as we know!)
I take it the basilica isn’t Christian in Kevin Myers world!
August 1, 2009 at 10:45 pm #772957searbh
ParticipantVery interesting thread! fascinating, informative reading as always..
Not strictly on topic but i’ve been traveling on the continent recently and have noticed a number of larger churches, usually originally Romanesque structures with heavy Gothic modifications and extensions which seem to not have been consequentially built on an axis. The most noticeable examples being Strasbourg Cathedral and the church if St. Sebald in Nuremberg. In both these buildings the choir and nave are not aligned. Can anyone shed any light on this? Is it likely to be deliberate or simply a matter of cowboy building in the middle ages?
August 1, 2009 at 11:54 pm #772958johnglas
Participantsearbh: My recollection of this practice is that it isn’t at all accidental and has deep theological roots. As many (but not all!) medieval churches were cruciform (cross-shaped) in imitation of Calvary, so the nave was seen as Christ’s body, the transepts as his outstretched arms and the choir as his head, inclined to one side after death. Perhaps a better expert than me can give you a fuller explanation, but that’s how I’ve always understood this ‘misalignment’.
gunter: Torphichen’s well worth a trip, if not a mass! (It’s in a quite Prod part of West Lothian.) As for Mr Myers – a ranter and I thought he was grossly unfair to Liam McCormick – you can crit his style, but many of his churches are an effort to achieve a ‘new vernacular’ for his times (although from what I’ve seen in illustration the interiors are a bit bare and disappointing, if dramatic).
August 2, 2009 at 10:55 am #772959Praxiteles
ParticipantA spectacular example of misalignment is to be found in the Cathedral of St. Etienne in Toulouse. Here the choir and sanctuary are practically parallel to the nave which closes with its own nave altar.
August 2, 2009 at 4:00 pm #772960Praxiteles
Participant@johnglas wrote:
Prax: it’s a splendid pile (but note the seigneurial-looking abbey buildings, hence the Revolution), but the spire is very, well, English – reminiscent of a parish church in the Midlands?
That the spire should look “English” is not that surprising since we are in Poitou – a part that made its influence felt in England. What is interesting about the spire -and perhaps no so visible from the pictures – is the fleureon work.
August 2, 2009 at 4:19 pm #772961Praxiteles
ParticipantST Sevin sur Gartempe
Some interior shots:
August 2, 2009 at 4:24 pm #772962Praxiteles
ParticipantSt sevin dur Gartempe, the spire
August 2, 2009 at 10:21 pm #772963gunter
Participant@searbh wrote:
. . . the church of St. Sebald in Nuremberg . . . the choir and nave are not aligned.
Can anyone shed any light on this? Is it likely to be deliberate or simply a matter of cowboy building in the middle ages?

the change in alignment looks pretty slight on plan, I can’t say I ever noticed it on the ground and it’s one of my all time favourite churches. The way that the big hall-church chancel juts out into the rising streetscape, sheer urban magic! Sorry can only find one of gunter’s dodgy Christmas market photos.
On the subject of great steeples, Freiburg gets my vote
August 3, 2009 at 5:56 am #772964searbh
Participantthanks johnglas and gunter for pointing me in the right direction
August 3, 2009 at 11:20 am #772965johnglas
ParticipantGreat steeples: Salisbury and the surprising and majestic St Walburg’s (I kid you not) in Preston. St W’s is best seen form the railway as you’re hurtling north; it’s a breathtaking sight (it’s unfortunately threatened with closure).
Pic is from Places on Line; Salisbury is well enough known.August 4, 2009 at 4:58 pm #772966Praxiteles
ParticipantSt Colman’s Cathedral, Cobh, Co. Cork
The heritage Council of Ireland under the Significant Places of Worship Grant Scheme has made an allottment of some Euro 70,000 to the Cobh Cathedral Restoration Fund which had applied for a grant of Euro 120,000. The grant ie earmarked for repairs to the south arcade and clerestory following the collapse of masonery on Christmas eve 2007. The consultants who have been retained are Chris Southgate and Associates.
It will be recalled that the collapse of the masonery in the south arcade was caused by water ingress following the replacement of the roof during the last “restoration” campaign for which the Heritage Council of Ireland also made a grant of £250,000 but do not appear to have made any check to ensure that such public funds were spent in the best interest of the building or, indeed, to the best advantage of the general public. In the present public financial crisis, can we expect that the public interest will be properly served by ensuring that the works which have to be carried out will indeed not only be to best conservation standard but, perhaps more to the point, of a level commensurate with excellence of the fabric and workmanship of Cobh Cathedral?
It is also heartening to see that public funds can be made available by a public body to a private entity such as Cobh Cathedral Restoration Steering Committee which thought nothing of squandering very considerable sums of money on professional fees in its stubborn attempt to bulldoze through a scheme of wreckage on the building they are supposed to be restoring – and while that private entity still has considerable funds available on deposit as can be seen from its returns to the Companies Registration Office- and whose prospects of raising further funds from the general public are rather gloomy in view of the questions that can be raised about its past record. Did someone say that we had a recession? Or, is the government also about to institute an architectural/heritage/cultural equivalant of NAMA?
August 6, 2009 at 3:09 pm #772967Praxiteles
Participant@johnglas wrote:
searbh: My recollection of this practice is that it isn’t at all accidental and has deep theological roots. As many (but not all!) medieval churches were cruciform (cross-shaped) in imitation of Calvary, so the nave was seen as Christ’s body, the transepts as his outstretched arms and the choir as his head, inclined to one side after death. Perhaps a better expert than me can give you a fuller explanation, but that’s how I’ve always understood this ‘misalignment’.
gunter: Torphichen’s well worth a trip, if not a mass! (It’s in a quite Prod part of West Lothian.) As for Mr Myers – a ranter and I thought he was grossly unfair to Liam McCormick – you can crit his style, but many of his churches are an effort to achieve a ‘new vernacular’ for his times (although from what I’ve seen in illustration the interiors are a bit bare and disappointing, if dramatic).
On the subject of misalignment, Praxiteles has been looking around for an online version of William Durandus Rationale which may very well give you an exposition of its symbolism along the lines that Johnglas mentioned. So far, only book three has turned up which is posted as a preview of more to come:
August 7, 2009 at 8:35 pm #772968Fearg
ParticipantThe National Library of Ireland has an extensive archive of photography online. I thought I’d post some links to various buildings discussed on this thread:
Armagh Cathedral:
http://tinyurl.com/ndegde
http://tinyurl.com/kup5dx
http://tinyurl.com/m4at8k
http://tinyurl.com/llllnzCobh Cathedral:
http://tinyurl.com/m9ffwwMonaghan Cathedral:
http://tinyurl.com/l9z99rConsecration of Mullingar Cathedral:
http://tinyurl.com/m55uheand that is only scratching ths surface!
August 8, 2009 at 8:23 am #772969Praxiteles
ParticipantWell thanks to Ferg the riddle of Monaghan has been solved.
It would appear that many of the fixtures were based on Italian quattorcento prototypes. Note the Baptistery font and compare with that of Siena and the pulpit and that of Pisa. Also note the two rather fine looking statues of Christ and St John the Baptist just outside of the sanctuary and compare the arrangement and type with the examples in Orvieto.
http://tinyurl.com/l9z99rI wonder where they now are?
August 8, 2009 at 9:14 pm #772970johnglas
Participantfearg: thanks for those images; I was particularly intrigued by Armagh. These must be very early photographs, since the ceiling (a particular glory of the present building) is completely undecorated. Also, the sanctuary fittings precede those which were so crudely vandalised before the most recent (and a bit timid) restoration (of sorts). So, Armagh has had FOUR sanctuary fit-outs in its history (a bit like fussy housewives and new kitchens). I wonder who profited from flogging-off all the junked marble and whether any of this was done in consultation with the long-suffering (and no doubt silently despairing) diocesans of Armagh who had to pay for it all.
August 8, 2009 at 9:32 pm #772971Fearg
Participant@johnglas wrote:
fearg: thanks for those images; I was particularly intrigued by Armagh. These must be very early photographs, since the ceiling (a particular glory of the present building) is completely undecorated. Also, the sanctuary fittings precede those which were so crudely vandalised before the most recent (and a bit timid) restoration (of sorts). So, Armagh has had FOUR sanctuary fit-outs in its history (a bit like fussy housewives and new kitchens). I wonder who profited from flogging-off all the junked marble and whether any of this was done in consultation with the long-suffering (and no doubt silently despairing) diocesans of Armagh who had to pay for it all.
I’d say taken in the first year, since the organ is also missing (and I believe was first built in 1874, the year after the cathedral opened), also interesting that the south transept was originally screened off, as it is now. Notice too that the aisles were missing their current stone vaulting and that the west gallery is a very simple possibly wooden structure.
I do believe that the 1904 screens were a bit OTT and did clutter the place up somewhat. What do others think?
August 9, 2009 at 3:11 pm #772972Praxiteles
ParticipantPraxiteles is inclined to think that teh Armagh photographs represent the interior at two stages: an early sanctuary (provisional one) deliniated by wooden altar rails and the (possibly) the 1904 rails whch do not hsow the High Altar.
Care should be taken about canonizing anything of the earlier photographs since they represent the building still in fieri and without having reached its completion.WHile it its arguable that the 1904 arrqngement may have been stylistically a little OTT, at the same time NOTHING could excuse the vandalism practices on it by McCormack and the awful neo-pagan hoards in his train.
Again tnakns to Ferg for locating this valuable collection. If Praxiteles recalls correctly, there should already be pictuires of the previuous internal arrangements in Armagh on this thread.
August 10, 2009 at 4:09 pm #772973Praxiteles
ParticipantThis photograph of teh consecration of Mullingar Cathedral shows the layout of the piles of ashes along the central aisle on which the of the Greek and Latn alphabeths are traced during the ceremony of consecration.
http://digital.nli.ie/cdm4/item_viewer.php?CISOROOT=/glassplates&CISOPTR=7637&CISOBOX=1&REC=5
August 11, 2009 at 7:20 am #772974Praxiteles
ParticipantWould anyone have any informnation concerning a company of 19th. century Cork builders called Barry McMullan?
August 12, 2009 at 9:05 pm #772975Praxiteles
Participant@johnglas wrote:
fearg: thanks for those images; I was particularly intrigued by Armagh. These must be very early photographs, since the ceiling (a particular glory of the present building) is completely undecorated. Also, the sanctuary fittings precede those which were so crudely vandalised before the most recent (and a bit timid) restoration (of sorts). So, Armagh has had FOUR sanctuary fit-outs in its history (a bit like fussy housewives and new kitchens). I wonder who profited from flogging-off all the junked marble and whether any of this was done in consultation with the long-suffering (and no doubt silently despairing) diocesans of Armagh who had to pay for it all.
Fussy housewi.uves and new kitchens! Hmmm…..
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