reorganisation and destruction of irish catholic churches

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  • #771035
    Praxiteles
    Participant
    #771036
    Praxiteles
    Participant

    A short biography of James McMillan

    Dr James MacMillan (born on July 16, 1959) is a Scottish classical composer and conductor.

    [edit] Biography
    MacMillan was born at Kilwinning, North Ayrshire, but lived in the south Ayrshire town of Cumnock until 1977.

    He studied composition at the University of Edinburgh with Rita McAlister, and at Durham University with John Casken, gaining a PhD in 1987. He was a music lecturer at the University of Manchester from 1986–1988. After his studies, MacMillan returned to Scotland, composing prolifically, and becoming Associate Composer with the Scottish Chamber Orchestra, working on education projects.

    He came to the attention of the classical establishment with the BBC Scottish Symphony Orchestra’s premiere of The Confession of Isobel Gowdie at the Proms in 1990. Isobel Gowdie was one of many women executed for witchcraft in 17th century Scotland. According to the composer, “the work craves absolution and offers Isobel Gowdie the mercy and humanity that was denied her in the last days of her life” (programme note).

    The work’s international acclaim spurred more high-profile commissions, including a percussion concerto for his fellow Scot, Evelyn Glennie. Veni, Veni, Emmanuel was premiered in 1992 and has become MacMillan’s most performed work. He was also asked by Mstislav Rostropovich to compose a violoncello concerto; this was premiered by Rostropovich in 1997.

    James MacMillan’s compositions are infused with the spiritual and the political. Catholicism has inspired many of his pieces, including many sacred works for choir, e.g. Magnificat (1999), and several Masses. This central strand of his life and compositions was marked by the BBC Symphony Orchestra in early 2005, with an unparalleled survey of his music entitled From Darkness into Light. MacMillan and his wife are lay Dominicans, and he has collaborated with Michael Symmons Roberts, a Catholic poet, and also Rowan Williams, the Archbishop of Canterbury.

    Scottish traditional music has had a profound musical influence, and is frequently discernible in his works. When the Scottish Parliament was reconvened in 1999 after 292 years, MacMillan’s fanfare accompanied the Queen into the chamber. Weeks after the opening ceremony, MacMillan lauched an outspoken attack on sectarianism in Scotland in a speech entitled Scotland’s Shame. (BBC News).

    MacMillan’s use of (even subliminally) familiar themes, coupled with his colourful orchestration, has made his music more accessible than the more academic style of avant-garde composers. This accessibility is further demonstrated by the range of his liturgical music: his Mass of 2000 was commissioned by Westminster Cathedral and contains sections which are for liturgical use only, some of which the congregation may join in [1]; his St. Anne’s Mass and Galloway Mass do not require advanced musicianship, being designed to be taught to a congregation.

    James MacMillan was appointed composer and conductor with the BBC Philharmonic in 2000, and is expected to continue working with them until 2009. His collaboration with Symmons Roberts is continuing with his second opera, based on the ancient Welsh tales of the Mabinogion. The Sacrifice was premiered by Welsh National Opera in Autumn 2007. Sundogs, a large-scale work for chorus a cappella, also on texts by Symmons Roberts was premiered by the Indiana University Contemporary Vocal Ensemble in August 2006.

    [edit] Key works
    After the Tryst (violin + piano – 1988)
    The Confession of Isobel Gowdie (orchestra – 1990)
    The Berserking (piano concerto – 1990)
    Veni, Veni, Emmanuel (percussion concerto – 1992)
    Seven Last Words from the Cross (cantata: choir and strings – 1993)
    Inés de Castro (opera, libretto: John Clifford – 1991-95)
    The World’s Ransoming (cor anglais and orchestra – 1997)
    Cello concerto (1997)
    Symphony: Vigil (1997)
    Quickening (soloists, chorus, orchestra – 1998)
    Mass (choir, organ – 2000)
    Cello Sonata no2 dedicated to Julian Lloyd Webber
    The Birds of Rhiannon (orchestra + optional chorus, text: Michael Symmons Roberts – 2001)
    O Bone Jesu (2001), for SSAATTBB + Soli
    Piano concerto No. 2 (2003)
    “Sun-Dogs” (2006)
    The Sacrifice (opera)
    He has recently become a Patron of the London Oratory School Schola Cantorum along with Simon Callow and HRH Princess Michael of Kent. He became a CBE in 2004.

    #771037
    Praxiteles
    Participant

    Speaking of St. Francis Xavier’s, here is a recent picture of the Gesù in Rome during the Mass for the opening of the 35 General Congregation of the Company of Jesus aka the Jesuits.

    The High Altar seen here was installed in the mid 19th century replacing the one made originally for the Gesù by Giacomo della Porta -which is now in bits and pieces in Thurles Cathedral.

    #771038
    Praxiteles
    Participant

    From this week’s Catholic herald:

    Benedict XVI leads the faithful in ‘looking together at the Lord’

    by Dr. Alcuin Reid

    “What matters is looking together at the Lord.” These words, written eight years ago by Joseph Cardinal Ratzinger, explain a subtle but decisive liturgical reform being enacted through the personal example of Pope Benedict XVI.

    The latest and perhaps most striking step in this reform took place on the Feast of the Baptism of the Lord when, as has become customary, the Pope celebrated Mass in the Sistine Chapel and baptised newborn infants. As papal ceremonial goes, this is not usually a grand liturgical occasion: the Mass is in the vernacular and is largely said, not sung.

    Yet it was precisely there – in perhaps as close to a parish setting as papal ceremonies often get – that the Holy Father chose to make a significant liturgical adjustment. Instead of celebrating the liturgy of the Eucharist at a temporary altar-table set up for the occasion that would have had him “facing the people” (as has often been done in recent years), at the preparation of the gifts Pope Benedict went up to the original altar of the Sistine chapel (which stands against the wall on which Michelangelo painted his Last Judgement) and celebrated “facing East” or “towards the Lord” as it were. The Pope faced in the same direction as all those present – towards the liturgical “East”, towards the cross – in continuity with popes (including Pope John Paul II) and generations of the faithful before him.

    Let us be clear, this has nothing at all to do with the Pope’s decision that the more ancient rite of the Mass (in Latin) be available to those who wish it. No, this Mass was according to the modern Missal of Paul VI, in Italian. And that is why this occasion was so important. For in this silent gesture Pope Benedict stated once and for all that there is nothing at all wrong with using the older altars in our churches. For as he wrote in his preface to Fr Michael Lang’s book Turning Towards the Lord: “there is nothing in the [Second Vatican] Council text about turning altars towards the people.”

    The Holy Father’s example is not an isolated one. In his book The Spirit of the Liturgy Cardinal Ratzinger wrote “facing toward the East…was linked with the “sign of the Son of Man”, with the Cross, which announces Our Lord’s Second Coming. That is why, very early on, the East was linked with the sign of the cross.” And, recognising that in many places, altars “facing the people” have been set up (sometimes as the result of costly and unnecessary reordering) that make a return to celebrating the liturgy of the Eucharist facing East difficult. “Where a direct common turning toward the East is not possible, the cross can serve as the interior ‘East’ of faith. It should stand in the middle of the altar and be the common point of focus for both priest and praying community.”

    This is what Pope Benedict has done: the cross is now at the centre of the papal altar in St Peter’s Basilica (which faces East in any case), as well as at the freestanding modern altar behind it that replaced the old altar of the Chair. He has even adopted this rule when celebrating outside the Vatican – as seen in his Advent Mass in the thoroughly modern chapel at the Knights of Malta hospital in Rome .

    Here in England those few priests with the courage to take Cardinal Ratzinger’s words seriously and return to the use of what we call “the high altar” in their churches have been misunderstood or even ridiculed by clergy and laity. Some have been upbraided for doing so by their superiors.

    This is undoubtedly due to the erroneous impression that “facing the people” is a mandatory part of the modern liturgy. Well, now the Holy Father – in his customarily humble way – has definitively shown us that it is not. Indeed, he has shown us that facing East where that is all that is possible, or indeed facing the cross – which is possible everywhere, can and ought to be very much a part of the modern liturgy, for “a common turning to the East during the Eucharistic Prayer remains essential. This is not a case of accidentals, but of essentials. Looking at the priest has no importance. What matters is looking together at the Lord.”

    Dr Alcuin Reid is the author of The Organic Development of the Liturgy (Ignatius, 2005).

    © 2008 The Catholic Herald Ltd

    #771039
    Rhabanus
    Participant

    @Praxiteles wrote:

    From this week’s Catholic herald:

    Benedict XVI leads the faithful in ‘looking together at the Lord’

    by Dr. Alcuin Reid

    “What matters is looking together at the Lord.” These words, written eight years ago by Joseph Cardinal Ratzinger, explain a subtle but decisive liturgical reform being enacted through the personal example of Pope Benedict XVI.

    The latest and perhaps most striking step in this reform took place on the Feast of the Baptism of the Lord when, as has become customary, the Pope celebrated Mass in the Sistine Chapel and baptised newborn infants. As papal ceremonial goes, this is not usually a grand liturgical occasion: the Mass is in the vernacular and is largely said, not sung.

    Yet it was precisely there – in perhaps as close to a parish setting as papal ceremonies often get – that the Holy Father chose to make a significant liturgical adjustment. Instead of celebrating the liturgy of the Eucharist at a temporary altar-table set up for the occasion that would have had him “facing the people” (as has often been done in recent years), at the preparation of the gifts Pope Benedict went up to the original altar of the Sistine chapel (which stands against the wall on which Michelangelo painted his Last Judgement) and celebrated “facing East” or “towards the Lord” as it were. The Pope faced in the same direction as all those present – towards the liturgical “East”, towards the cross – in continuity with popes (including Pope John Paul II) and generations of the faithful before him.

    Let us be clear, this has nothing at all to do with the Pope’s decision that the more ancient rite of the Mass (in Latin) be available to those who wish it. No, this Mass was according to the modern Missal of Paul VI, in Italian. And that is why this occasion was so important. For in this silent gesture Pope Benedict stated once and for all that there is nothing at all wrong with using the older altars in our churches. For as he wrote in his preface to Fr Michael Lang’s book Turning Towards the Lord: “there is nothing in the [Second Vatican] Council text about turning altars towards the people.”

    The Holy Father’s example is not an isolated one. In his book The Spirit of the Liturgy Cardinal Ratzinger wrote “facing toward the East…was linked with the “sign of the Son of Man”, with the Cross, which announces Our Lord’s Second Coming. That is why, very early on, the East was linked with the sign of the cross.” And, recognising that in many places, altars “facing the people” have been set up (sometimes as the result of costly and unnecessary reordering) that make a return to celebrating the liturgy of the Eucharist facing East difficult. “Where a direct common turning toward the East is not possible, the cross can serve as the interior ‘East’ of faith. It should stand in the middle of the altar and be the common point of focus for both priest and praying community.”

    This is what Pope Benedict has done: the cross is now at the centre of the papal altar in St Peter’s Basilica (which faces East in any case), as well as at the freestanding modern altar behind it that replaced the old altar of the Chair. He has even adopted this rule when celebrating outside the Vatican – as seen in his Advent Mass in the thoroughly modern chapel at the Knights of Malta hospital in Rome .

    Here in England those few priests with the courage to take Cardinal Ratzinger’s words seriously and return to the use of what we call “the high altar” in their churches have been misunderstood or even ridiculed by clergy and laity. Some have been upbraided for doing so by their superiors.

    This is undoubtedly due to the erroneous impression that “facing the people” is a mandatory part of the modern liturgy. Well, now the Holy Father – in his customarily humble way – has definitively shown us that it is not. Indeed, he has shown us that facing East where that is all that is possible, or indeed facing the cross – which is possible everywhere, can and ought to be very much a part of the modern liturgy, for “a common turning to the East during the Eucharistic Prayer remains essential. This is not a case of accidentals, but of essentials. Looking at the priest has no importance. What matters is looking together at the Lord.”

    Dr Alcuin Reid is the author of The Organic Development of the Liturgy (Ignatius, 2005).

    © 2008 The Catholic Herald Ltd

    Great article by Dr Reid. Thanks for posting it, Prax.

    The Pope, in his personal theological writings (Spirit of the Liturgy), his magisterial teaching (Summorum pontificum), and his own example (Mass at high altar of the Sistine Chapel for the Baptism of the Lord 2008, plus daily Mass in his own private chapel) consistently applies the “hermeneutic of continuity” to the teachings of the Church.

    Those ecclesiastics still stuck in the grip of the ‘hermeneutic of rupture’ ought to step aside in favour of those better equipped to implement the hermeneutic of continuity. The costs to the people in the pews would be considerably reduced, and they would stand a better chance of finding peace rather than discord and uproar in the liturgical worship of God.

    Is St Colman’s Cathedral still standing? What about the drainage problem raised earlier on the thread? Anything fallen from the ceiling lately? When is the plywood altar going to be retired in favour of the high altar? That would solve the problem of insufficient room in the sanctuary for the throngs of candidates awaiting ordination. And everyone’s attention then would be drawn to the altar and the actio liturgica.

    Do the bells at St Colman’s work? Are they used often? Or do they merely toll the Angelus and mark funerals?

    #771040
    Praxiteles
    Participant

    Well, all I can say is that wonders will never cease!!

    Just take a look at this:

    http://wdtprs.com/blog/2008/01/cobh-ireland-bp-magee-to-celebrate-tlm-in-st-colmans-cathedral/#comments

    #771041
    Praxiteles
    Participant

    The latest from Cobh has it that more masonry has been falling from the South aisle. Still nothing is happening.

    #771042
    Praxiteles
    Participant

    Plus ca change, plus c’est la meme chose….

    http://www.ria.ie/cgi-bin/ria/papers/100668.pdf

    #771043
    samuel j
    Participant

    @Praxiteles wrote:

    The latest from Cobh has it that more masonry has been falling from the South aisle. Still nothing is happening.

    Quoting from your link :http://wdtprs.com/blog/2008/01/cobh-…dral/#comments

    “St. Colman’s Society for Catholic Liturgy is pleased to announce that the Most Reverend John Magee, Bishop of Cloyne, will celebrate Holy Mass according to the extraordinary form in St. Colman’s Cathedral, Cobh, Co. Cork, on Easter Tuesday, 25 March 2008. All are welcome. Further details will shortly be available”.

    They should add the line, “Hard hats and steel toe capped boots, will be available for a small cover charge at the entrance, contact the usher located by peeling/rusty doors on your arrival”

    #771044
    Praxiteles
    Participant

    Here is an interesting one from to-day’s IT:

    Conservation officer says claim ludicrous

    Gordon Deegan

    Clare’s conservation officer has come under fire after a councillor claimed his intervention cost the Catholic Church an additional €4.5 million in restoring a church in Kilrush.

    At the council’s January meeting, Tom Prendeville (FF) asked: “Is there no limit to the powers of the Conservation Office?” Mr Prendeville said conservation works at St Senan’s Church in Kilrush were delayed for almost two years by the council’s conservation officer Risteard Ua Croinín, resulting in the costs increasing from €1.5 million to €6 million.

    He said: “I am reliably informed that even the Stations of the Cross, which were removed for conservation purposes before the works were carried out at St Senan’s Church, later became the subject of a tête-a-tête between the local parish priest and the Conservation Office long after the project was completed.”

    In response, Mr Ua Croinín said it was “absolutely ludicrous” to suggest that he was responsible for delaying the project or adding to its cost.

    Mr Ua Croinín said he actually helped to bring costs of the project down by holding numerous meetings with the church authorities in Kilrush and issuing declarations that allowed them to press ahead with works without the need for planning permission.

    He said he advised the church not to lodge a planning application for additional works as they were inappropriate and would be refused.

    “Planning permission was refused and An Bord Pleanála also refused planning permission for most of the works.”

    Mr Ua Croinín said he came across the Stations of the Cross in a function room.

    He said: “They are valuable mid-19th century crosses and I said that they had to be removed from the room to avoid coffee or drink being spilt over them.”

    Mr Prendeville sought to dispute Mr Ua Croinín’s claims. However, Clare mayor councillor Patricia McCarthy said the debate had ended.
    © 2008 The Irish Times

    #771045
    Praxiteles
    Participant

    Perhaps Michael O’Brien could give us an update on St Senan’s.

    #771046
    Rhabanus
    Participant

    @Praxiteles wrote:

    Here is an interesting one from to-day’s IT:

    Conservation officer says claim ludicrous

    Gordon Deegan

    Clare’s conservation officer has come under fire after a councillor claimed his intervention cost the Catholic Church an additional €4.5 million in restoring a church in Kilrush.

    At the council’s January meeting, Tom Prendeville (FF) asked: “Is there no limit to the powers of the Conservation Office?” Mr Prendeville said conservation works at St Senan’s Church in Kilrush were delayed for almost two years by the council’s conservation officer Risteard Ua Croinín, resulting in the costs increasing from €1.5 million to €6 million.

    He said: “I am reliably informed that even the Stations of the Cross, which were removed for conservation purposes before the works were carried out at St Senan’s Church, later became the subject of a tête-a-tête between the local parish priest and the Conservation Office long after the project was completed.”

    In response, Mr Ua Croinín said it was “absolutely ludicrous” to suggest that he was responsible for delaying the project or adding to its cost.

    Mr Ua Croinín said he actually helped to bring costs of the project down by holding numerous meetings with the church authorities in Kilrush and issuing declarations that allowed them to press ahead with works without the need for planning permission.

    He said he advised the church not to lodge a planning application for additional works as they were inappropriate and would be refused.

    “Planning permission was refused and An Bord Pleanála also refused planning permission for most of the works.”

    Mr Ua Croinín said he came across the Stations of the Cross in a function room.

    He said: “They are valuable mid-19th century crosses and I said that they had to be removed from the room to avoid coffee or drink being spilt over them.”

    Mr Prendeville sought to dispute Mr Ua Croinín’s claims. However, Clare mayor councillor Patricia McCarthy said the debate had ended.
    © 2008 The Irish Times

    Why all the recent hostility toward the Stations of the Cross? Folks ought to review the Vatican’s Directory on Popular Piety and the Liturgy: Principles and Guidelines issued by the Congregation for Divine Worship and the Discipline of the Sacraments (Vatican City, 2001). This is easily accessible online. Just go to the Vatican website and download it, then print it out. Or just google it. There is no excuse for being bamboozled by soi-disant liturgists and other charlatans.

    Fortify yourselves and read the actual documents, then invite the liturgistas to explain the texts!

    #771047
    Praxiteles
    Participant

    @Rhabanus wrote:

    Why all the recent hostility toward the Stations of the Cross? Folks ought to review the Vatican’s Directory on Popular Piety and the Liturgy: Principles and Guidelines issued by the Congregation for Divine Worship and the Discipline of the Sacraments (Vatican City, 2001). This is easily accessible online. Just go to the Vatican website and download it, then print it out. Or just google it. There is no excuse for being bamboozled by soi-disant liturgists and other charlatans.

    Fortify yourselves and read the actual documents, then invite the liturgistas to explain the texts!

    Hostility towards the Stations of the Cross -that is a good question. I suspect taht some of the answers to the question will be found lurking around the corridors of the Chicago Theological Insttitute. It is more than a bit ironic that the usual figurative depictions of the Stations should be displaced by figure 1-15 in Roman numerals -when those advocating these gimmicks will be able to figure out -with a little help – I, II and III but will be totally lost when it comes to IV, V, VI, VII, VIII and in outer space as far as IX is concerned, battered by X, XI, XII, XII dumbfounded by XIV and just flat oput with XV!!

    #771048
    Praxiteles
    Participant

    Here is an irony!

    The picture below shows the sanctuary of the Sathedral of ST. Vitus in Prague- Nothing striking there you might say EXCEPT that it appears on the official website of the diocese of Cloyne ( http://www.cloynediocese.ie/ ). AVid readers may recall that during the attempt to wreck the sanctuary of Cobh Cathedral, thse hired (at enormous expense) to “massage” the planning process made reference to teh CAthedral of Prague -necessitating the FOSCC to contact the Dean if the Chapter of Prague Cathedral to ascertain what had been done to the sanctuary there -and low and behold, the truth turned out to be that what had been done there was much the same as what had been done in Cobh except for the prominent stone slab on top.

    Now, we have have a picture of the Volksaltar in Prague being presented on the wbpage of teh Diocese of Cloyne. Could it be ……..

    This thoought is further fuelled by a report going around in Cobh that a delivery was lately noticed of a rather large timber unit topped by a granite slab….. The unit was indeed very large and the granite slab very big. It was seen being secreted away out of public sight but, we wonder will it turn up in a planning application that will have to be made to repair the South wall of the Cathedrl after the pre-Christm,as collapse of masonary from the upper ranged of the nave due to water saturation, in turn caused by a new leaking roof (which was not there when the original slates pulverised)..

    Let us just see what happens….

    #771049
    Rhabanus
    Participant

    @Praxiteles wrote:

    Here is an irony!

    The picture below shows the sanctuary of the Sathedral of ST. Vitus in Prague- Nothing striking there you might say EXCEPT that it appears on the official website of the diocese of Cloyne ( http://www.cloynediocese.ie/ ). AVid readers may recall that during the attempt to wreck the sanctuary of Cobh Cathedral, thse hired (at enormous expense) to “massage” the planning process made reference to teh CAthedral of Prague -necessitating the FOSCC to contact the Dean if the Chapter of Prague Cathedral to ascertain what had been done to the sanctuary there -and low and behold, the truth turned out to be that what had been done there was much the same as what had been done in Cobh except for the prominent stone slab on top.

    Now, we have have a picture of the Volksaltar in Prague being presented on the wbpage of teh Diocese of Cloyne. Could it be ……..

    This thoought is further fuelled by a report going around in Cobh that a delivery was lately noticed of a rather large timber unit topped by a granite slab….. The unit was indeed very large and the granite slab very big. It was seen being secreted away out of public sight but, we wonder will it turn up in a planning application that will have to be made to repair the South wall of the Cathedrl after the pre-Christm,as collapse of masonary from the upper ranged of the nave due to water saturation, in turn caused by a new leaking roof (which was not there when the original slates pulverised)..

    Let us just see what happens….

    How ugly! What a stark contrast to the beauty of the high altar and reredos. The ersatz flames on the burlap frontal and the off-centre calalillies are altogether over the top. And why are the candles plunked down on the mensa of the new altar? This is not encouraged in any of the Vatican II documents. Note on the high altar, the candles stand not on the mensa but on the ledges behind the mensa, i.e. on th ereredos, where they belong.

    If Cobh is looking for a model of good taste, why not consult the Sistine Chapel in its newly uncluttered style?

    Perhaps the bishop is building a mausoleum for his final resting place, hence the timber and the granite slab. One should always plan ahead.

    #771050
    Praxiteles
    Participant

    And here is a more general view of the sanctuary in St Vitus Cathedral in Prague. The photograph is taken from the side -the only view that you can have of the modern altar which, from the centre, is completely obscured by the presence of the enormous imperial mausoleum which we see in the lower right hand corner.

    Fancy finding all that on the Cloyne diocesan website!!

    #771051
    Praxiteles
    Participant

    Here is a short note on liturgical reform published 20 years ago but which may be helpful for the lityrgical gurus in Cloyne:

    LITURGICAL RESTORATION:
    IS IT TOO LATE?
    (This article is reprinted from Newsletter of the Confraternity of Catholic Clergy, Vol.
    XX, No. 5, November 1988.)
    One of the most unfortunate developments in the Catholic Church since the
    Second Vatican Council has been the extent to which liturgy reforms were, and
    continue to be, misguidedly or defectively implemented. And while, for example, in
    the business world, losses of customers and profits in the wake of certain policy
    changes would have resulted in prompt investigations and reviews, even disciplining
    of those responsible, we find the Catholic Church’s liturgical radicals unabashedly
    demanding yet more of those very innovations which have contributed to a disastrous
    shrinkage of faith and practice, especially in North America and western
    Europe.
    There is no doubt that the council fathers unknowingly opened a Pandora’s box
    when they approved Vatican II’s decree on sacred liturgy, Sacrosanctum Concilium,
    despite its being a moderate, cautious enough document, reflecting the positive and
    potentially fruitful thrust of the pre-Vatican II liturgical movement.
    Unfortunately, this document contained a number of vague, ambiguous, even
    potentially contradictory passages, inviting later exploitation by a succession of post-
    Vatican II liturgical radicals. No matter that the council called for the retention of
    Latin, pipe organs, and Gregorian chant, the lust for change which swept the Church
    and the secular world from the mid-1960’s onwards would prove irresistible.
    The work of Consilium, a body of international experts charged with giving
    practical expression to Sacrosanctum Concilium, merely widened the original loopholes
    and institutionalized practices never dreamt of by many or most of the council
    fathers, e.g., alternative Eucharistic prayers, spoken aloud in the vernacular, or a
    completely revamped offertory. Yet the resultant Novus Ordo Mass of Pope Paul VI,
    which seemed revolutionary to traditionalists, nevertheless was capable of infusing a
    strong sense of the sacred when celebrated by a devout priest according to the mind
    of the universal Church, and even more so when in Latin.
    But the Church’s authorities, in that period of heady optimism, seemed unaware
    of the potential pastoral risks associated with such fundamental reshaping of the
    liturgy; so much depended on a set of ideal local circumstances: on innate good
    taste, on restraint, on an ingrained sense of the sacred, on sound catechetical backup,
    and on clear, firm, liturgical leadership right down the line from Rome through
    each diocese, to parish and school. The late 1960’s was the worst of all possible times
    for finding such favorable conditions.
    Given our flawed human nature’s leaning towards indiscriminate novelties, the old
    Mass, with all its limitations, did serve as a barrier against liturgical abuses. Unfortunately,
    in opening the way for objectively necessary and desirable liturgical
    changes, the Church’s reformers allowed insufficiently for human weakness; nor, of
    course, could they have anticipated the western world’s imminent cultural revolution,
    the impact of which would be felt in every corner of the secular world as well as
    throughout the Catholic Church.
    In effect, well-intentioned council fathers and members of Concilium would deliver
    many of the Catholic faithful into the hands of local liturgical radicals, amateurs,
    and self-appointed experts, smitten by “signs of the times,” and eager to stretch
    the council’s spirit to its limits. In so doing they put at risk traditional Catholic perceptions of the Church’s structures, authority, moral teachings, sacraments and
    even the very basis of the priesthood.
    In the United States, church musicians and well-qualified liturgists, ready to respond
    to the letter and spirit of Sacrosanctum Concilium in bringing out the fruits of
    renewal while maintaining organic continuity with the past, saw themselves quickly
    outflanked by devotees of hootenanny and rock Masses who sought an open-ended
    succession of experiments in the name of relevance, community and active participation.
    American publications, embodying these fanciful extensions of Vatican II,
    would inundate parishes and schools all over the western world, ensuring the virtual
    extinction of Latin and of quality church music, both artistic and sacred. Enthusiastic
    acceptance of this travesty of Vatican II reform would be widely seen, even by
    many otherwise orthodox Catholics, as a litmus test of one’s correct post-conciliar
    thinking.
    In effect, liturgy became the major instrument of a post-Vatican II evolution in the
    Catholic Church, reinforcing the impact of radical changes in catechetics and seminary
    formation. More than anything else after Vatican II, the endless succession of
    seemingly arbitary liturgical changes fostered a relaxed, skeptical atmosphere at the
    Church’s grassroots, no matter what official Vatican documents might continue to
    affirm; even devout, loyal Catholics would be infected. In India, for example, the
    Church would be set on the path of Hinduization in the name of inculturation;
    anything became possible.
    The twenty years since liturgical reform became widespread have witnessed steep
    declines in Mass attendance and in a host of beliefs and practices, particularly in
    North America, western Europe and Australasia. Presumably this was not the objective
    of Vatican II, to weed out those spiritual weaklings who needed artificial liturgical
    props to fortify their Catholicity.
    Yet, at the outset, liturgical radicals and their ecclesiastical supporters had predicted
    the changes in the Mass would effect larger congregations and an exciting
    period of renewal throughout the Church. It was assumed that universal use of the
    vernacular, having the priest face the people at an altar table, removing altar rails
    and pulpits and standing for Communion to be received on the hand would pack the
    churches, attract more converts and improve the quality of worship.
    When the reverse actually occurred, advocates of this radical interpretation of
    Vatican II made the best of the situation, blaming losses on outside, uncontrollable
    forces or on poor communication with the grass roots; it was even suggested that
    falling numbers at worship might be a necessary price to pay for improved quality:
    today’s Catholics are said to be better educated, more mature and autonomous, and
    not intimidated by old notions of authority and obedience.
    No doubt, had the actual, but unwarranted, revolutionary changes been accompanied
    by increases, instead of decreases in Mass attendance, those responsible would
    have claimed credit, attributing this happy development to the popularity or appropriateness
    of the changes. On the other hand, in the face of obvious losses, there
    have been denials of any links between those losses and misapplied reforms, let alone
    admissions of error of judgment, merely demands that the on-going liturgical revolution
    be brought to every corner of the Church.
    Distinctions between justifiably creative liturgy and flagrant abuses have been
    long since obscured in the minds of many priests, religious and liturgy groups.
    Vatican documents designed to curb excesses and abuses fail persistently to reach
    their targets or are simply overruled in the name of pluralism, inculturation or
    collegiality. The present situation reminds one of the story of the sorcerer’s apprentice
    as liturgical new brooms, unimpeded by church authority, sweep their way
    RESTORATION relentlessly through thousands of churches, chapels and all manner of unlikely Mass sites.
    Has the Magisterium, or those acting in its name, been intent these past twenty
    years on fostering a more “horizontal” (man-centered), less “vertical” (God-centered)
    emphasis in liturgy? Or has this fundamental consideration been thought through at
    all save by the Church’s middle-management elites intent on using liturgy to radicalize
    the Church? If renewal required a certain fine-tuning of the creative balance
    between the vertical and horizontal, would not a long succession of horizontallybiased
    changes or innovations merely effect a worse imbalance in the opposite
    direction? Few diocesan authorities seem seriously to have addressed this question.
    There have been many such changes in the liturgy, all of them pointing in the same
    direction. The Mass, in effect, was to evolve into a people-centered, day-to-dayrelevant,
    casual, secularized and egalitarian activity. This was the clear message in
    most parishes, schools, colleges and religious houses; this was to be the on-going
    practical implementation of Vatican Us liturgical renewal, whatever the original
    intentions of the council fathers and Consilium, or the present intentions of the
    Magisterium. We now have a runaway liturgy so that no matter what Pope John Paul
    II might say about abuses and disobedience, there is little serious response at diocesan
    and parish levels.
    The damaging blend of official loopholes, exceptions and alternatives, all exploited
    to the hilt at local levels, and the rash of experiments and abuses, has been
    without parallel in the Church’s history. Never before have there been so many
    liturgical changes, licit or otherwise, changes which seemed oriented towards Protestantism
    and secularism. Coincidentally, at no other time in her history would the
    Church experience such widespread, steep declines in Mass attendance, beliefs and
    practices, not as the result of war, persecutions, schism, or natural disaster, but in the
    wake of internal policies, aimed at reform and renewal.
    What kinds of signals were conveyed by new liturgies to ordinary Catholics in the
    pews, enjoying growing affluence, struggling with temptations and confronting
    mounting pressures from a permissive cultural milieu? Moreover, in experiencing
    what seemed to be arbitrary, albeit at times welcome, changes, how equipped were
    these Catholics to discern between the officially licit and the locally illicit innovations?
    What would be the side-effects among ordinary Catholics of tampering with this
    ancient, flawed, but still widely supported and functioning liturgical organism? We
    might recall the truism: lex orandi, lex credendi (as we worship so do we believe and
    practice our faith). For Catholics, liturgy, belief and practice represented a seamless
    garment of faith; to tamper with one part could lead to an unravelling of the whole.
    If the Mass were now to be perceived, locally at least, as a community gathering,
    even a picnic, the Eucharist as simply bread and the priest a master of ceremonies to
    be judged according to his personality or wit, what of changed Catholic perceptions
    of the supernatural, of sin, guilt, repentance, or priesthood, of Mass obligation or of
    the Sacrament of Penance? Who needed to be shriven for a picnic?
    The unintended fall-out from Vatican II’s liturgical reform, as it was widely implemented,
    would include a massive decline in reverence at worship, widespread disappearance
    of individual confessions and a cavalier disregard of the Church’s moral
    teachings. In newly evolving liturgical contexts, everything connected with the faith
    seemed open to change or negotiation and the credibility of church authority steadily
    eroded, even without the insidious influence of society’s pluralist, permissive
    values. Fewer now felt awkward about receiving Communion, despite irregular
    attendance at Mass or use of contraceptives, and non-use of the Sacrament of Penance.
    At the Church’s grass roots, many Catholics were helped to make their own accommodations with the secular world; they could be both in and of the world and
    still regard themselves as Catholics in good standing. The new liturgy, as it was
    implemented, has become a major vehicle for secularization of Catholic spiritual and
    moral life. In the context of liturgical change it was no wonder that so many Catholics
    were angered or disappointed at Humanae Vitae. If the Latin Mass of all time
    could be so radically altered, why not the Church’s moral teachings? With changes in
    the Mass arriving at regular intervals almost anything could be anticipated in the
    future; why wait?
    Modern approaches to catechetics, the formation of seminarians, courses in socalled
    Catholic colleges and the thrusts of school retreats, parish missions and renewal
    programs have merely reinforced what the poorly implemented new liturgy
    has effected on a wide scale in the United States and elsewhere.
    There is no doubt that Vatican II’s liturgy reforms contained the potential for true
    renewal of the Mass and sacraments. From time to time, one encounters tantalizing
    glimpses of what could and should have been established all over the Church in such
    parishes as Saint Agnes in Saint Paul, Minnesota, and in a sprinkling of other
    parishes and cathedrals around the country. Sadly, the potential of Sacrosanctum
    Concilium remains mostly unrealized, this Vatican II decree having been effectively
    hijacked by those who, deliberately or otherwise, have been building a secularized,
    Protestantized, neo-modernist new church.
    Much of the present crisis in the Church can be attributed to the poor state of
    liturgy. Recovery will depend on the awareness, courage, energy and will of more
    bishops who come to appreciate that their major diocesan priority must be a widespread
    restoration of sound liturgy along with the necessary support of sound catechesis
    of the Mass, sacraments and priesthood in schools, colleges and seminaries.
    Failing this, no amount of renewal programs will save the Church from continuing
    spiritual erosion.
    MICHAEL GILCHRIST
    RESTORATION
    10

    #771052
    ake
    Participant

    They are undertaking major restoration works on St.Mary’s, Haddington Road, Dublin. It’s a multi million euro project, involving essential conservation work on the deteriorating roof, conservation and restoration of the beautiful tracery in the tower, which is crumbling, other structural works, including a new heating system and other ‘improvements’, such as ‘re-ordering’ the west end of the nave- what does this mean? As well as, quite promisingly, looking to redecorate (presumably the paint scheme- it’s currently poster painted pink) the nave area with regard to the original scheme- they phrase it something like that. Also, they plan to ‘re consider’ the location of the baptismal font, now plonked in front of the north side altar. It sounds good except for one thing- they say they want to move the altar table forward from the reredos a few inches they said it was cramped. Now as it is the table is perched almost on the edge of the last altar step a metre or two from the (mercifully) intact, sublime altar rails. How do they intend to do this? They did not specify. They only way it seems they can do this is by altering the steps up to the altar.

    Also the reredos is connected to the wall of the sanctuary at either end by two lovely gothic wooden screens which ought not to be touched.

    Can we presume that their fiddling around won’t damage the sanctuary in some minor or god forbid major way? Can anyone find details of exactly what they intend to do? Besides the lost stenciling, the eastern end of this church is pretty much intact, and extremely fine. It is important it be preserved.

    #771053
    Praxiteles
    Participant

    Ake!

    Any photographs of the interior?

    #771054
    ake
    Participant

    http://ireland.archiseek.com/buildings_ireland/dublin/ballsbridge/haddington_road/st_marys3_lge.html

    didn’t have my camera.

    In the above shot you can see the very impressive large lancet windows which all have excellent glass. Behind the gothic tracery on the lower level are panels of marble which run around the entire east end and right along the walls of both transepts. You can also make out the extraordinarily fine wooden rails, which still possess their gates and the classical pulpit, which is one of the finest I’ve ever seen.

    By the way, the information poster also says they’re planning to extensively alter the area outside the church, the little garden etc.

    Most of what they’re planning seems very positive. Why can they not just leave the altar alone? They’ve managed up to now. What matter if it’s a little ‘cramped’?!

    Todays clergy certainly wouldn’t have been able for skellig micheal or the gallarus oratory that’s for sure.

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