"Modern" Protected Structures in Dublin
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- July 24, 2008 at 10:31 am #785720
Anonymous
InactiveI wouldn’t describe Seagram as “three blocks on a plaza”.
July 24, 2008 at 10:47 am #785721Anonymous
Inactive@goneill wrote:
I wouldn’t describe Seagram as “three blocks on a plaza”.
Oh I think it is. The arrangement is the opposite way, one main tall block and two low supporting blocks behind, but that’s because it’s in amongst the skyscrapers in central New York.
July 24, 2008 at 11:43 am #785722Anonymous
InactiveWell, each to his own! i don’t get any sense of “three blocks in a plaza”. The blocks are mainly stuck together quite unlike the Federal Centre Chicago, or Toronto Dominion among many others. In fact it is a commonly used criticism of the building that the rear blocks are an unresolved cop-out. They are rarely shown in any of the contemporary publicity shots or in Mies’ sketches.
July 24, 2008 at 11:57 am #785723admin
KeymasterWhatever opinions are regarding the esteem the building is held in, whether its considered to be a sharp interpretation or perhaps a lesser parody of Mies; there is unanimous agreement that this intervention as proposed (and for me any intervention) is and should be out of the question.
July 24, 2008 at 12:26 pm #785724Anonymous
Inactive@Peter Fitz wrote:
there is unanimous agreement that this intervention as proposed is and should be out of the question.
Sorry, I shouldn’t have distracted attention away from that basic truth.
July 24, 2008 at 3:37 pm #785725Anonymous
InactiveAnd just to add to the fun, there’s two further objections from An Taisce and Alexander Kearney.
In fairness it’s worth noting that Dublin An Taisce originally put in a particularly erudite submission giving great weight to having the buildings added to the RPS – citing the Architectural Reveiw piece from 1972 or thereabouts etc… Now weren’t they the helpful fellows?I agree with Gunter. BOI should never have been allowed build that there, but seeing as they went to such trouble – weekend demolition jobs etc thwarting the late, great, Deirdre Kelly from getting her injunction – it would be a great shame not to let them keep it. Environmental karma, some might say 😀
In any event, apart from the debate regarding the building’s own merits, it is worth noting that any further development here would be wholly, totally, and completely unsuitable – being where it it at the heart of the South Georgian Quarter.
Down with this sort of thing…
July 24, 2008 at 3:47 pm #785726Paul Clerkin
KeymasterI believe there are seven other objections including the Arts Council
July 24, 2008 at 4:55 pm #785727Anonymous
InactiveBefore we all get super excited by the quality of the submissions, let’s not forget that the recent decision by ABP re the Clarence, if applied to this building, would likely permit this development to take place.
It is, after all, ‘continuance of use’, and the quality of the architecture could be described as outstanding. Not by me, you understand, but if the Board thinks the Foster was top drawer, then anything goes.
July 24, 2008 at 5:36 pm #785728Anonymous
Inactive😡 That is the nightmare interpretation of the Clarence decision isn’t it? Unfortunately hard to avoid it given the almost diametric positions taken by the inspector and the board (practically unanimously).
July 24, 2008 at 5:44 pm #785729Anonymous
InactiveVery much so.
@gunter wrote:
when I look at the B of I in Baggot Street, the phrase that comes to mind is: How did they get away with this?
The B of I is a well executed 1970s provincial version of Mies’s 1950s Seagram Building in New York. It’s not a re-interpretation of Mies, it’s a cut-down copy of Mies. Seagram is three blocks on a plaza, so Baggot Street is three blocks on a plaza. The composition of blocks is different, but the design is modular, so the heights are arbitrary, the number of bays are arbitrary. If you tried this today, you’d be up in the High Court tomorrow.
I must agree. As much as I drool over this complex, I’ve never quite understood the unflinching regard in which Tallon is held purely in respect of this building (noting the quality and imagination of his other work). Essentially if you could copy n paste back in the 70s, that’s what this would be called. Of course the devil is in the detail, which Tallon executed exquisitely, but so too did Mies. Perhaps the genius is being so informed in the language of Mies, which is unquestioningly apparent. But an important distinction to make nonetheless.
As an aside, I find it faintly irritating that (some) of the stars of the built environment and arts only come out of the woodwork to defend a flagship case like this one, when countless other proposals which so erode the character of the city, and urban centres nationwide, slip through unchallenged on a daily basis. Fair enough, this is the Custom House of modernisim, but a greater input and indeed holding to account of fellow members of the architecture and plannng sectors in Ireland wouldn’t go amiss for the other 364 days of the year.
Indeed in that vein, it was refreshing to note Shaffrey Associates dedicating considerable time and professional expertise submitting against the Clarence development. More enlightened and principled input like this from architecture and planning professionals please.
July 24, 2008 at 6:29 pm #785730Paul Clerkin
KeymasterFurther objections
Alexander Kearney
http://www.dublincity.ie/AnitePublicDocs/00236224.pdfAn Taisce
http://www.dublincity.ie/AnitePublicDocs/00236241.pdfLawrence & Long Architects
http://www.dublincity.ie/AnitePublicDocs/00236225.pdfMiriam Delaney
http://www.dublincity.ie/AnitePublicDocs/00236236.pdfThe Arts Council
http://www.dublincity.ie/AnitePublicDocs/00236223.pdfJuly 24, 2008 at 7:20 pm #785731Anonymous
InactiveObviously this is essential viewing for any serious commentary on the affair –
http://www.youtube.com/watch?v=I5oNd6RziDo
I think I’ll just beatle off now… *gets coat*
July 24, 2008 at 8:02 pm #785732Anonymous
InactiveGod I miss the gasometer.
July 24, 2008 at 10:29 pm #785733Anonymous
InactiveQuit blubbing, gunter! Anyone would think you were Italian!
@hutton wrote:
Genius.
All I want for christmas is a shamrock bass.
July 24, 2008 at 11:08 pm #785734Anonymous
Inactivethe axe in question is in an Irish rock museum in Derry if you’re feeling light fingered, form did follow function in this instance for a then contemporary diddley -eye rock outfit’s backline. All we need now is the Edge playing a grotesquely oversized gibson explorer to bring the rock/architecture contextual gamesmanship to its rightful conclusion.
July 24, 2008 at 11:19 pm #785735Anonymous
Inactive



I can f**king blub if I want to.
And another thing, they can only keep their bloody windows that clean because of the extortionate rates the charge ordinary people for exceeding their overdraft limits.
July 25, 2008 at 12:05 am #785736Anonymous
InactiveJuly 25, 2008 at 8:37 am #785737Anonymous
Inactivehey ctesiphon!!! How did you get into my bedroom to take that pic!!!
(ah I’m more of a flying V man m’self)

pure sexJuly 25, 2008 at 10:48 am #785738Anonymous
Inactive@gunter wrote:

It’s the DCC heritage-style bin on the pavement that I find a particularly charming juxtaposition.
Must be one of the few left; do you reckon it too is now listed de-facto as part of the setting? It’s essential :p@ctesiphon wrote:
Why thank-you. It’s the banker having just got out of the blue Lada at the start that I reckon is crucial. What self-respecting banker would need the vanity of a Merc? Maybe it’s a vision of the not-too-distant future…
July 27, 2008 at 9:39 pm #785739Anonymous
InactiveI see Frank has gone soft.
The killer instinct must have gone with the moustache.

The vista down Bath Avenue and Londonbridge Road to the modern black box of the Bank
of Ireland and the white classical stone temple of the Pepper Canister church. I don’t want
to use the word ‘iconic’, but you know what I mean.(I think this one needed Graham’s superior lens)
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