Re: Re: ‘Dutch Billys’
Molesworth Street was such a criminal loss to the city. As Freddie O’Dwyer noted in Lost Dublin: “Of the twenty-three Georgian houses on the north side, only four survive, two on each side of Edward Holmes’ Masonic Hall of 1868. The pair to the west, Nos 15 and 16, built by Benjamin Rudd, carpenter, have idential plans and were originally brick-fronted and gabled. The gable of No. 15 which was added in late Victorian times and was dated 1755 belies the origins of the house which Rudd sold to one Edward Deane of Terenure in 1740.”
This is them today, both with stunning panelled interiors. The rust colour has always been a delight.
One building I’m not sure about being a Dutch Billy is No. 32 directly across the road, prior to its bizarre Victorian – and probably later again – remodelling.
A picture of the building, possibly from the late 18th century, shows it as having a flat parapet and small window opes precisely matching those of the upper two floors.
Yet this house apparently dates from c. 1725, and fascinatingly a single wall of panelling survives with cornice to part of the entrance hall, in spite of the wholescale 19th century alterations, let alone the modern office interventions. Also as you move up the staircase which is late 18th century, you suddenly encounter a startling remnant of early Georgian Dublin in the form of a single stretch of barley-sugared balustrading with Corinthian newel posts! Thankfully some good old-fashioned Georgian penny-pinching dictated its survival high up in the house.
And as to the evidence of Dutch Billy, and a large one at that, surely such a fenestration pattern to the rear is suggesting something?
(I thought the pink rather eye-catching).
A house of this scale would not be out of place adjoining the tripartite gabled home of Speaker Foster that was once located right next door,