Switzerland's beguiling Paul Klee centre finds Renzo Piano at his dazzling best, writes Jonathan Glancey
So maybe we need Julian to join us here to argue it out with Hugh,,,,
Okay, I haven't actually experienced the building but looking at photographs, I don't like it much. The feature that I do like is the intersections between the horizontal volume and the wave forms, but I don't like the "overly beamy" (new word just coined) elevations. They're too heavy for my tastes - in bare concrete, they would look like some fabulous piece of engineering expressionism from the 1920s or 30s, now they just look ungainly.