libeskind by numbers
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libeskind by numbers
When the exotic becomes the everyday, then an architect starts to face his sternest test: how to keep ahead of the game? Take Daniel Libeskind. His career to date has been fashioned by heroic one-offs: none more so than his design to rebuild Ground Zero in New York, which made him a world-class celebrity who appears wearing his trademark ventilated black spectacles on the Oprah Winfrey show. Libeskind has now nearly completed his first London building. It is not grand. It is not central. It is not for a prestigious client. It won't get him on Parkinson. It is a little university building on the Holloway Road.
http://www.hughpearman.com/articles5/libeskind_london.html
http://www.hughpearman.com/articles5/libeskind_london.html
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Paul Clerkin - Old Master
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Curiously, underneath the skin this is a monolithic insitu concrete building (very high quality raw concrete finish on the inside). When it was being poured, the shuttering was quite something. I met the contractor and you never saw a prouder man.
- Hugh
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Concept Architecture, Fin..........this has as much to do with the Carlisle Pier thread ( but I don't know enough about the context there to argue) looking through current mags from Blueprint to the Architects Journal it's impossible to find an image that is not computer generated, with sun setting in the west or rising in the east.
Libeskind is one of the main culprits. Does the finished project ever match the impressive night shot, I wonder?
Frankly, I think all the Carlisle Pier designs are risable
Libeskind is one of the main culprits. Does the finished project ever match the impressive night shot, I wonder?
Frankly, I think all the Carlisle Pier designs are risable
- alan d
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Sorry risible............. wandering "a" again
Libeskind's proposal is like something you have to remove from the carpet after a steel tappers and welders stag night.
Expected more from H. Peng also........what a disappointment !
Libeskind's proposal is like something you have to remove from the carpet after a steel tappers and welders stag night.
Expected more from H. Peng also........what a disappointment !
- alan d
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No pix of the interiors from me as yet, Paul. When I finally got in, I stupidly didn't have my camera with me.
You been to many steel tappers and welders stag nights, Alan? I guess it must be a Glasgow thing. Down here we sip mineral water while re-reading Proust.
You been to many steel tappers and welders stag nights, Alan? I guess it must be a Glasgow thing. Down here we sip mineral water while re-reading Proust.
- Hugh
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Ach, as soon as I sent this through I thought it was prehaps a bit to critical.
Don't really have anything against Libeskind we all have to make a living (or indeed H Peng).......just sick at looking at the same slick images everywhere which tell you bugger all, Hugh.
I'm glad that the contactor is proud of the shuttered concrete...good for him
Don't really have anything against Libeskind we all have to make a living (or indeed H Peng).......just sick at looking at the same slick images everywhere which tell you bugger all, Hugh.
I'm glad that the contactor is proud of the shuttered concrete...good for him
- alan d
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Re slick images: it's the lure of the "dusktime shot" as our Lord Foster would call it: nice dark blue sky outside, bit of low-light shine off the cladding, lights on inside to dematerialise the glass and give a glimpse of the interior.
The preferred time of day for high-tekkies everywhere.
The preferred time of day for high-tekkies everywhere.
- Hugh
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it's the easy option for the tekkies...night time means no fuss with sunlight and all that shadows.. all u have to do is place your spotlights correctly and away u go... a combination of different ones is my preferable images...
- FIN
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Yes, i do get sick of them, Alan. I once found myself giving a lecture where by chance nearly all the images were such dusktime shots. So I changed the lecture into one about cliched presentation techniques.
It's worse now because, as you say, the dusktime shot has now become a staple computer image.
But editors continue to love 'em because they look so good on the page...which is presumably why everyone continues to produce them. ...and so it goes on.
It's worse now because, as you say, the dusktime shot has now become a staple computer image.
But editors continue to love 'em because they look so good on the page...which is presumably why everyone continues to produce them. ...and so it goes on.
- Hugh
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while in London recently saw in local paper - Islington Gazette - article on this bldg which included quote from 'a local cafe owner' who said that one woman had called the police because she was worried that someone might be trapped under it.
Personally I like the materials / shapes etc but its just so suburban - it looks like a pavilion rather than something on an inner city site.
Anyway.
Personally I like the materials / shapes etc but its just so suburban - it looks like a pavilion rather than something on an inner city site.
Anyway.
- JL
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